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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











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Marinés Agurto: Lima’s gap between ruin & construction

Tristana Perroncel

Marinés Agurto, Archaeology, BilbaoArte, Cactuses, Cities, Construction, Colonisation, Galería Impakto, Heritage, History, Junco, La Escocesa, Lima, Material, Organic, Tristana Perroncel, Urban, Palimpsest, Peru, Puquios, Ruin, Sculpture, Transformation



   

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