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Cerith Wyn Evans  glows in MAAT, Lisbon

Will Jennings

Ursula K Le Guin’s speculative cartography

Sam Moore

The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
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Lynda Benglis’ fountains are erupting in Madrid

Banca March, Bronze, Lynda Benglis, Fountain, Garden, Cristina Iglesias, Loewe, Louisiana World Exposition, Madrid, Pace Gallery, Jackson Pollock, Polyurethane, Pour, Sculpture, Water, Xavier Hufkens Gallery



   

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