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Venice Biennale 2025: part 2, the bad
Venice Biennale 2025: part 1, the good

Temporary & permanent culture finds a place in Middlesbrough

Will Jennings

The recessed.space highlights from Frieze Art Fair 2025

Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery

Rob Fiehn

From Bauhaus to birdhouse: world famous architects’ avian designs for charity











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The Brown Collection: a new gallery drawing from the past

Appropriation, Basement, Gallery, Glenn Brown, Henri Fantin-Latour, Frieze London, Gagosian, Mauro Gandolfi, Marylebone, Mews, Museum, Austin Osman Spare, Painting, Grace Pailthorpe, Renovation, Sculpture, The Brown Collection, Cornelius Van Haarlem



   

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