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A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner













00251
The origins & afterlife of tarot & the Warburg Institute

Will Jennings

Theodor Adorno, Walter Benjamin, Maria Balshaw, Bloomsbury, Italo Calvino, Pamela Colman Smith, Aleister Crowley, Albert Einstein, Ellipse, Esoteric, Frankfurt, Edward George, Ernst Gombrich, Frieda Harris, Graham Haworth, Haworth Tompkins, Katy Hessel, Charles Holden, Will Jennings, Library, London, London Library, Abu Mashar, Nazi Germany, Occult, Austin Osman Spare, Plastique Fantastique, Research, Tarot, Tarot cards, Suzanne Treister, University of London, Visual culture, AE Waite, John Walter, Aby Warburg, Warburg Institute



00134
The Brown Collection: a new gallery drawing from the past

Appropriation, Basement, Gallery, Glenn Brown, Henri Fantin-Latour, Frieze London, Gagosian, Mauro Gandolfi, Marylebone, Mews, Museum, Austin Osman Spare, Painting, Grace Pailthorpe, Renovation, Sculpture, The Brown Collection, Cornelius Van Haarlem



   

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