︎
Building culture in Camden: Reed Watts Roundhouse extension
Robert Barry
Gathering land, food & tradition at the Eden Project
Will Jennings
From Kinga Oktabska’s studio: fragmented landscapes & found histories
Kinga Oktabska
SH*T FACED: Lindsey Mendick’s ceramic self-reflection at Jupiter Artland
Will Jennings
Disobeying order: Ranjani Shettar in the Barbican Conservatory
Cindy Huang
Seeing Things: how artists use Instagram
00124
Edinburgh Art Festival: a creative journey through the city’s buildings
Will Jennings
Lawrence Abu Hamdan
,
Aqsa Arif
,
Crystal Bennes
,
Birmingham
,
Sean Burns
,
Calton Hill
,
Collective
,
Colonisation
,
Andrew Cranston
,
Czech Republic
,
Decolonisation
,
Dorothy Towers
,
Edinburgh
,
Edinburgh Art Festival
,
Edinburgh Sculpture Workshop
,
Empire
,
Feminism
,
Film
,
French Institute
,
Installation
,
Ireland
,
Markéta Luskačová
,
Haven for Artists
,
Ingleby Gallery
,
Will Jennings
,
Adam Lewis Jacob
,
Jesse Jones
,
Rudy Kanhye
,
Ryosuke Kiyasu
,
Tarek Lakhrissi
,
Lebanon
,
Richard Maguire
,
Painting
,
Photography
,
Platform
,
Stills
,
Sutherland Hussey Harris Architects
,
Talbot Rice
,
Sebastian Thomas
,
Sculpture
,
Trinity Apse
,
Rabindranath X Bhose
,
Witch
00115
Darren Hayman: The Last Dog Walk
Dark
,
Dog
,
Darren Hayman
,
Hefner
,
Edward Hopper
,
London
,
Love
,
Lyrics
,
Minnie
,
Night
,
Nighttime
,
Painting
,
South London
,
Walk
00107
Finding hope within Hurvin Anderson’s barbershops
Jelena Sofronijevic
Abstract
,
Hurvin Anderson
,
Barbers
,
Barbershop
,
Barbershop Chronicles
,
Birmingham
,
Caribbean
,
Hastings Contemporary
,
Identity
,
Impressionism
,
Inua Ellams
,
Kistefos
,
Painting
,
Postcolonial
,
Salon
,
Social infrastructure
,
Jelena Sofronijevic
,
The Hepworth Wakefield
,
The National Theatre
,
Thomas Dane Gallery
,
Windrush
00095
12 top picks from Milan’s miart art fair
Yuri Ancarani
,
Archeology
,
Art fair
,
Bel Ami
,
Ruth Beraha
,
Pedro Cabrita Reis
,
Duilo Cambellotti
,
Concrete
,
Marcus Cope
,
Copetti Antiquari
,
Crack
,
Curtain
,
Destruction
,
Dreams
,
Dušan Džamonja
,
eastcontemporary
,
Film
,
Darren Flook Gallery
,
Andrea Francolino
,
Galleria Fumagalli
,
Gian Marco Casini Gallery
,
Glass
,
Glendale
,
Olivia Hill
,
Illustration
,
Installation
,
Emilia Kina
,
Landscape
,
Los Angeles
,
Mai 36 Galleri
,
Mazzoleni
,
miart
,
Milan
,
Margherita Moscardini
,
Model
,
William Morris
,
Mosque
,
Nature
,
Ncontemporary
,
Opera
,
PAC
,
Padiglione d’Arte Contemporanea
,
Painting
,
Photography
,
Anne and Patrick Poirier
,
Primo Marrella Gallery
,
Psychology
,
Ruin
,
Sand
,
Sandcastle
,
San Siro
,
Sculpture
,
Stadium
,
Stage
,
Stained glass
,
Urban
,
Paul Virilio
,
He Wei
,
Window
,
Wood
,
ZERO
00092
Ian Kiaer’s oblique shift of the white cube gallery
Will Jennings
Alison Jacques
,
Venice Biennale
,
Jessie Brennan
,
Drawing Room
,
Foreign Office Architects
,
Geometry
,
Do Ho Suh
,
Installation
,
Ian Kiaer
,
Rem Koolhaas
,
NOX
,
Oblique
,
Oosterhuis Associates
,
OMA
,
Painting
,
Claude Parent
,
Paris
,
Perspex
,
Mike Rundell
,
Tanoa Sasraku
,
Emily Speed
,
Lars Spuybroek
,
Zaha Hadid Architects
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INDEX
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SH*T FACED: Lindsey Mendick’s ceramic self-reflection at
Jupiter Artland
