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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











00096
Betty & George Woodman: domestic ceramic from Italy to Charleston

Jelena Sofronijevic

Antella, Asia, Vanessa Bell, Body, Charleston, Ceramics, Domestic, Florence, Frescos, Furniture, Geometry, Duncan Grant, Italy, Metropolitan Museum of Modern Art, Pottery, Sculpture, Jelena Sofronijevic, USA, Betty Woodman, Francesca Woodman, George Woodman



   

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