︎
The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











00275
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau

Creeping, Domestic, Sam Godfrey, House of Annetta, LGBTQ, Ruby Loewe, Barney Pau, Annetta Pedretti, Rose Schmits, Spitalfields, Marf Summers, Trans, Transgender, Queer



00230
Living architecture: Olivia Erlanger’s Fan Fiction

Rochelle Roberts

Air, Anxiety, Appliances, Butterfly, Closed worlds, Domestic, Olivia Erlanger, Fan, Fridge, Lydia Kallipoliti, Soft Opening, Rochelle Roberts



00182
In bloom: Konstantin Zhukov‘s intimate & ephemeral Black Carnation

Will Ferreira Dyke

Archive, Black carnation, Cruising, Domestic, Will Ferreira Dyke, Ephemera, Gay, Intimacy, Latvia, LGBTQ+, Jose Esteban Muñoz, Neven, Photography, Queer, Riga, Sex, Soviet, Train ticket, Raymond Williams, Konstantin Zhukov



00136
Christo wrappings within a Georgian townhouse: an interview with curator Elena Geuna

Will Jennings

Camus, Centre Pompidou, Christo, Domestic, Christo, Conceal, Exhibition, Jeanne-Claude, Frieze London, Lucio Fontana, Gagosian, Gagosian Open, Georgian, Elena Geuna, Immigration, Will Jennings, London, Monumental, Scale, Sculpture, Spitalfields, Stranger, Travel, Unconscious, Wrapping



00113
Leighton House rediscovered: Evelyn De Morgan, Shahrzad Ghaffari & Nour Hage

Jelena Sofronijevic

Abstract, Anatomy, Arab British Centre, Arabic, Emilie Barrington, BDP, Walter Crane, Domestic, Drawing, Empire Lines, Evelyn De Morgan, William De Morgan, Fabric, Shahrzad Ghaffari, Geography, Gold, Nour Hage, Painting, Post colonial, Sarah Hardy, Frederick Leighton, Leighton House, Liberty, Morris & Co, Mural, Museum, Museum of the Year, Jelena Sofronijevic, Textile



   

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