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From Bauhaus to birdhouse: world famous architects’ avian designs for charity

In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts

Lorenzo Graf
Riccardo Buck

An interview with Mike Nelson on architectural sculpture & the making of place

Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out

Will Jennings

Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson

 











00212
An invitation into the sublime: the imaginary architectures of Al Held & Minoru Nomata

Will Jennings

9/11, AI, Archigram, Étienne-Louis Boullée, Colour, Constantin Brâncuși, Pieter Bruegel, Charles Burton, Climate, Crisis, Decay, Destruction, Peter Eisenman, Emptiness, Brian Eno, MC Escher, Exploration, Fukushima, Geometry, Zaha Hadid, Al Held, Hyperspace, Will Jennings, Landscape, Erich Mendelsohn, Oscar Niemeyer, Minoru Nomata, Painting, Joseph Paxton, IM Pei, Post apocalyptic, Reality, Bridget Riley, Richard Serra, Sinister, Robert Smithson, Sublime, Superstudio, Tokyo, Tokyo Tower, Tower, Twin Towers, Victor Vasarely, Robert Venturi, White Cube



00159
Antony Gormley’s Body Politic, in the artist’s own words

Body, Civil engineering, Clay, Concrete, Corten steel, Engineering, Geometry, Antony Gormley, Manufacturing, Napoleon, Bruce Nauman, Process, Sculpture, Steel, Threshold, White Cube



00105
Melting into air: Ann Veronica Janssens at Pirelli HangarBicocca

Will Jennings

Carl Andre, Architecture, Marshall Berman, Bernd and Hiller Becher, Bicocca degli Arcimboldi, Colour, Anne Teresa De Keersmaeker, Factory, Fog, Michel François, Fresco, Geometry, Glass, I-beam, Industry, Installation, Ann Veronica Janssens, Will Jennings, Anselm Kiefer, Light, Karl Marx, Material, Mirror, Modernism, Oscar Niemeyer, Pirelli HangarBicocca, Steve Reich, Smoke, Solidity, Sound



00096
Betty & George Woodman: domestic ceramic from Italy to Charleston

Jelena Sofronijevic

Antella, Asia, Vanessa Bell, Body, Charleston, Ceramics, Domestic, Florence, Frescos, Furniture, Geometry, Duncan Grant, Italy, Metropolitan Museum of Modern Art, Pottery, Sculpture, Jelena Sofronijevic, USA, Betty Woodman, Francesca Woodman, George Woodman



00092
Ian Kiaer’s oblique shift of the white cube gallery  

Will Jennings

Alison Jacques, Venice Biennale, Jessie Brennan, Drawing Room, Foreign Office Architects, Geometry, Do Ho Suh, Installation, Ian Kiaer, Rem Koolhaas, NOX, Oblique, Oosterhuis Associates, OMA, Painting, Claude Parent, Paris, Perspex, Mike Rundell, Tanoa Sasraku, Emily Speed, Lars Spuybroek, Zaha Hadid Architects



   

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