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A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings

10 galleries you should know about from Miart 2025 in Milan

The book & exhibitions of Hélène Binet’s photographs of Jewish country house
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Poetically tending Derek Jarman’s garden: Modern Nature at the Barbican


Will Jennings

The message is the bottle: Claes Oldenburg & Coosje van Bruggen in Middlesbrough


Steve Taylor













00212
An invitation into the sublime: the imaginary architectures of Al Held & Minoru Nomata

Will Jennings

9/11, AI, Archigram, Étienne-Louis Boullée, Colour, Constantin Brâncuși, Pieter Bruegel, Charles Burton, Climate, Crisis, Decay, Destruction, Peter Eisenman, Emptiness, Brian Eno, MC Escher, Exploration, Fukushima, Geometry, Zaha Hadid, Al Held, Hyperspace, Will Jennings, Landscape, Erich Mendelsohn, Oscar Niemeyer, Minoru Nomata, Painting, Joseph Paxton, IM Pei, Post apocalyptic, Reality, Bridget Riley, Richard Serra, Sinister, Robert Smithson, Sublime, Superstudio, Tokyo, Tokyo Tower, Tower, Twin Towers, Victor Vasarely, Robert Venturi, White Cube



00159
Antony Gormley’s Body Politic, in the artist’s own words

Body, Civil engineering, Clay, Concrete, Corten steel, Engineering, Geometry, Antony Gormley, Manufacturing, Napoleon, Bruce Nauman, Process, Sculpture, Steel, Threshold, White Cube



00105
Melting into air: Ann Veronica Janssens at Pirelli HangarBicocca

Will Jennings

Carl Andre, Architecture, Marshall Berman, Bernd and Hiller Becher, Bicocca degli Arcimboldi, Colour, Anne Teresa De Keersmaeker, Factory, Fog, Michel François, Fresco, Geometry, Glass, I-beam, Industry, Installation, Ann Veronica Janssens, Will Jennings, Anselm Kiefer, Light, Karl Marx, Material, Mirror, Modernism, Oscar Niemeyer, Pirelli HangarBicocca, Steve Reich, Smoke, Solidity, Sound



00096
Betty & George Woodman: domestic ceramic from Italy to Charleston

Jelena Sofronijevic

Antella, Asia, Vanessa Bell, Body, Charleston, Ceramics, Domestic, Florence, Frescos, Furniture, Geometry, Duncan Grant, Italy, Metropolitan Museum of Modern Art, Pottery, Sculpture, Jelena Sofronijevic, USA, Betty Woodman, Francesca Woodman, George Woodman



00092
Ian Kiaer’s oblique shift of the white cube gallery  

Will Jennings

Alison Jacques, Venice Biennale, Jessie Brennan, Drawing Room, Foreign Office Architects, Geometry, Do Ho Suh, Installation, Ian Kiaer, Rem Koolhaas, NOX, Oblique, Oosterhuis Associates, OMA, Painting, Claude Parent, Paris, Perspex, Mike Rundell, Tanoa Sasraku, Emily Speed, Lars Spuybroek, Zaha Hadid Architects



   

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