︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00040
Iron Harvest: A landscape revealing concealed violence
Belgium
,
Govanhill Baths Community Trust
,
Explosion
,
Film
,
Landscape
,
Nature
,
Photography
,
Sonica
,
Trauma
,
Oscar van Heek
,
War
,
World War One
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