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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00256
Old stories in a New Town: Danielle Dean’s portrait of Hemel Hempstead at Spike Island

Will Jennings

Amazon, Buncefield, Danielle Dean, Film, Hemel Hempstead, Installation, Will Jennings, Model, New Town, Postwar, Quatermass II, Science fiction, Spike Island



00232
An artist going places: Alia Farid at Oslo’s Henie Onstad Kunstsenter

Jelena Sofronijevic

Arabic, Artes Mundi, Chisenhale Gallery, Rachel Dedman, Diaspora, Drinking fountain, Environment, Alia Farid, Film, Henie Onstad Kunstsenter, Intercultural Museum, Iran, Iraq, Jameel Prize, Landscape, Lise Wilhelmsen Art Award, Kuwait, Oil, Oslo, Palestine, Phaidon, Puerto Rico, Ritual, Sculpture, Senegal, Sfeir-Semler Gallery, Jelena Sofronijevic, Tapestry, Vessel, Victoria & Albert Museum, Water



00208
GAMeC Bergamo are helping us think like a mountain

Will Jennings

Mercedes Azpilicueta, Bella Ciao, Bergamo, Biennale Gherdëina, Sonia Boyce, Bridge, C+S Architects, Dalmine, Film, Chiara Gambirasio, GAMeC, Lorenzo Giusti, Italy, Will Jennings, Landscape, Aldo Leopold, Lombardy, Mountains, Performance, Polystyrene, Rusio, Lin May Saeed, Sculpture, Studio Ossidiana



00200
Art & music combine in The Vinyl Factory’s immersive soundscape

180 Studios, Cecilia Bengolea, Columbia Records, Dance, Es Devlin, Stan Douglas, Film, Theaster Gates, Jean Luc Godard, The Vinyl Factory, Ben Kelly, Jenn Nkiru, Music, Sound, Stage, Vinyl



00191
Venice 2024: Robert Zhao Renhui’s study of a Singaporean secondary forest

Animals, Coexistence, Colonisation, Edgeland, Film, Forest, Habitation, Military, Nature, Photography, Secondary forest, Sculpture, Singapore, Venice Biennale, Robert Zhao Renhui



   

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