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Julian Opie & a virtual extension of place
Will Jennings
Entangled bodies in a queer black domestic: Jonathan Lyndon Chase
Teshome Douglas-Campbell
Nyima Murry
Radical salvage: Mike Nelson at the Hayward Gallery
Paul Dobraszczyk
Imagining architecture: Assassin’s Creed & Anglo Saxon Wincestre
Geometry in place: Sam Jacobs & Wassef Boutros-Ghali
Will Jennings
Submerged in Hockney at London’s Lightroom
00063
Maurice Broomfield’s Industrial Sublime: in conversation with Martin Barnes
Lara Chapman
Martin Barnes
Archive
,
Martin Barnes
,
Maurice Broomfield
,
Labour
,
Lara Chapman
,
Collection
,
Industry
,
Oil rig
,
Photography
,
Post industrial
,
Power station
,
Sublime
,
V&A
,
Victoria and Albert Museum
,
Workers
00061
Lives in landscapes: Chris Killip’s photography
Lewis Bush
1980s
,
Lewis Bush
,
Community
,
Conservatives
,
Walker Evans
,
Chris Killip
,
Landscape
,
Northumberland
,
The Photographers Gallery
,
Photography
,
Politics
,
Skinningrove
,
Paul Strand
,
Margaret Thatcher
,
Tyneside
,
Wallsend
00058
After nature: Richard Mosse’s study of Amazonian extraction
Will Jennings
180 Strand
.
Amazon
,
Extraction
,
Farming
,
Film
,
Richard Mosse
,
Fire
,
Frieze
,
Industry
,
Will Jennings
,
Jungle
,
Nature
,
Photography
,
Ranch
,
Rainforest
00053
The sculptural everyday: Andrew Green’s photographs of rural Italy
Agriculture
,
Allies and Morrison
,
Andrew Green
,
Giorgio de Chirico
,
Estorick Collection
,
Everyday
,
Flaneur
,
Italy
,
Lazio
,
Nondescript
,
Photography
,
Rural
,
Mario Sironi
,
Umbria
,
Village
00042
Being & looking in landscape: Ingrid Pollard’s archaeology
Will Jennings
Being
,
Capability Brown
,
Turner Contemporary
,
Cumbrian National Park
,
Farne Islands
,
James Hakewell
,
Jamaica
,
Lake District
,
Landscape
,
Looking
,
Picturesque
,
Photography
,
Ingrid Pollard
,
Race
,
Slavery
,
Turner Contemporary
,
Valentine and Sons
ABOUT
INDEX
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