︎
Cerith Wyn Evans glows in MAAT, Lisbon
Will Jennings
Ursula K Le Guin’s speculative cartography
Sam Moore
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
00035
Birmingham to Wonderland: Cinema in the second city
Cyril Barbier
,
John Barnes Linnett
,
Birmingham
,
Birmingham Museum and Art Gallery
,
BMAG
,
British Film Institute
,
BFI
,
Cinema
,
Cecil Clavering
,
Oscar Deutsch
,
Allen Eyles
,
Film
,
Flatpack Festival
,
Ian Francis
,
Waller Jeffs
,
Modernism
,
Odeon
,
Mitchell and Kenyon
,
Harry Weedon
,
Wonderland
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