︎

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings

Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings













00259
The state of surveillance: at Ikon Gallery Mahtab Hussain considers Birmingham’s Muslim community & architecture

Anmol Ahuja

Adaption, Anmol Ahuja, Bench, Birmingham, Camera, CCTV, Documentation, Guy Gunaratne, Ikon Gallery, Islamophobia, Mahtab Hussain, Mosque, Muslim, Photography, Police, Queen Elizabeth Park, Surveillance, The Line, Alberto Toscano, West Midlands Police



00124
Edinburgh Art Festival: a creative journey through the city’s buildings

Will Jennings

Lawrence Abu Hamdan, Aqsa Arif, Crystal Bennes, Birmingham, Sean Burns, Calton Hill, Collective, Colonisation, Andrew Cranston, Czech Republic, Decolonisation, Dorothy Towers, Edinburgh, Edinburgh Art Festival, Edinburgh Sculpture Workshop, Empire, Feminism, Film, French Institute, Installation, Ireland, Markéta Luskačová, Haven for Artists, Ingleby Gallery, Will Jennings, Adam Lewis Jacob, Jesse Jones, Rudy Kanhye, Ryosuke Kiyasu, Tarek Lakhrissi, Lebanon, Richard Maguire, Painting, Photography, Platform, Stills, Sutherland Hussey Harris Architects, Talbot Rice, Sebastian Thomas, Sculpture, Trinity Apse, Rabindranath X Bhose, Witch



00107
Finding hope within Hurvin Anderson’s barbershops

Jelena Sofronijevic

Abstract, Hurvin Anderson, Barbers, Barbershop, Barbershop Chronicles, Birmingham, Caribbean, Hastings Contemporary, Identity, Impressionism, Inua Ellams, Kistefos, Painting, Postcolonial, Salon, Social infrastructure, Jelena Sofronijevic, The Hepworth Wakefield, The National Theatre, Thomas Dane Gallery, Windrush



00072
Ghosts in the machine for living in: exhibiting horror in architecture

Will Jennings

Robert Alexander, Birmingham, The Black Cat, Brutalism, Italo Calvino, Candyman, Castle of Otranto, Shezad Dawood, Demolition, Diagram, Ghost, Horror, Ikon, Invisible Cities, Boris Karloff, Béla Lugosi, Le Corbusier, Masterplan, Modern, Modernism, Richard Neutra, NT, Postcolonialism, Redevelopment, Ho Tzu Nyen, Amba Sayal-Bennett, Seher Shah, Vladimir Shukhov, Shukhov Tower, Monika Sosnowska, Strawberry Hill House, Unité d'Habitation, Uncanny, Urban planning, Horace Walpole



00035
Birmingham to Wonderland: Cinema in the second city

Cyril Barbier, John Barnes Linnett, Birmingham, Birmingham Museum and Art Gallery, BMAG, British Film Institute, BFI, Cinema, Cecil Clavering, Oscar Deutsch, Allen Eyles, Film, Flatpack Festival, Ian Francis,Waller Jeffs, Modernism, Odeon, Mitchell and Kenyon, Harry Weedon, Wonderland



   

 TRAVEL   ABOUT   NEWSLETTER   INDEX   ︎