︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00269
Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House
Will Jennings
Los Angeles
,
California
,
Campsite
,
Clyde Chace
,
Marian Chace
,
House
,
Japan
,
Will Jennings
,
Helmut Lang
,
Frank Lloyd Wright
,
MAK Center for Art and Architecture
,
Materials
,
Modernism
,
Nature
,
Pueblo
,
Prada
,
Pauline Schindler
,
Rudolph Schindler
,
Schindler House
,
Neville Wakefield
,
Yosemite
00131
Building culture in Camden: Reed Watts’ Roundhouse extensio
n
Robert Barry
The Barfly
,
Robert Barry
,
Camden
,
Circus
,
Community
,
Cultural sector
,
Paddy Dillon
,
The Enterprise
,
Tor Evans
,
Freelancers
,
London
,
The Marathon Bar
,
Marnie
,
Materials
,
Network
,
Railway
,
Reed Watts
,
Roundhouse
,
Keir Starmer
,
Matt Watts
,
Roundhouse Works
,
Wood
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Venice
Biennale 2025: part 3,
the 
