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An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale

Rob Fiehn
The country’s newest stone circle has been created in Luton as a space for gathering & community

Will Jennings
An interview with Ronald Rael about 3d printed mud architecture at Desert X












00278
A biennale that makes all the right calls: MOMENTUM 13 in Norway

Robert Barry

Barbican, Robert Barry, Douglas Gordon, Kalle Aldis Laar, Christian Marclay, Stephanie Loveless, MOMENTUM, Moss, Norway, Mélia Roger, Phone, Avital Ronnell, Morten Søndergaard, Telephone, Maia Urstad, Carl Michael von Hausswolf



00197
On architecture & collecting: Andrea Fraser at Fondazione Antonio Dalle Nogare, Bolzano

Will Jennings

Walter Angonese, Robert Barry, Bolzano, Robert Breer, Marcel Broodthaers, Christo, Collecting, Collections, Collectors, Conceptual art, Construction, Antonio Dalle Nogare, Dia Beacon, Dolomites, Marcel Duchamp, Franz Erhard Walther, Andrea Fraser, Dan Graham, Will Jennings, Andrea Marastoni, MAK Center for Art and Architecture, Model, Money, Politics, Charlotte Posenenske, Rudolph Schindler, Tennis



00148
A new way of seeing: Thomas Huber’s landscapes

Robert Barry

Robert Barry, Ferdinand Hodler, Thomas Huber, Lake, Lake Lugano, Lugano, MASI Lugano, Mountain, Museo d’arte della Svizzera Italiana, Painting, Luigi Rossi, Richard Seewald, Switzerland, Félix Vallotton, Mariane von Werefkin



00131
Building culture in Camden: Reed Watts’ Roundhouse extension

Robert Barry

The Barfly, Robert Barry, Camden, Circus, Community, Cultural sector, Paddy Dillon, The Enterprise, Tor Evans, Freelancers, London, The Marathon Bar, Marnie, Materials, Network, Railway, Reed Watts, Roundhouse, Keir Starmer, Matt Watts, Roundhouse Works, Wood



00106
The poetry of everything: Massimo Bartolini’s musical scaffolding

Robert Barry

Alga Marghan, Robert Barry, Massimo Bartolini, Gavin Bryars, John Cage, Centro per l'Arte Contemporanea Luigi Pecci, Composition, Installation, Matteo da Prato, Massimo Drovandi, Samuele Frangioni, Fondazione Merz, Samuele Maffucci, Massimo di Carlo, Yari Mazza, Music, Music box, Áine O'Dwyer, Organ, Pipes, Scaffolding, Sculpture, Sound art, Wind, Wind instrument



   

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