︎
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale
Rob Fiehn
00278
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Robert Barry
Barbican
,
Robert Barry
,
Douglas Gordon
,
Kalle Aldis Laar
,
Christian Marclay
,
Stephanie Loveless
,
MOMENTUM
,
Moss
,
Norway
,
Mélia Roger
,
Phone
,
Avital Ronnell
,
Morten Søndergaard
,
Telephone
,
Maia Urstad
,
Carl Michael von Hausswolf
00197
On architecture & collecting: Andrea Fraser at Fondazione Antonio Dalle Nogare, Bolzano
Will Jennings
Walter Angonese
,
Robert Barry
,
Bolzano
,
Robert Breer
,
Marcel Broodthaers
,
Christo
,
Collecting
,
Collections
,
Collectors
,
Conceptual art
,
Construction
,
Antonio Dalle Nogare
,
Dia Beacon
,
Dolomites
,
Marcel Duchamp
,
Franz Erhard Walther
,
Andrea Fraser
,
Dan Graham
,
Will Jennings
,
Andrea Marastoni
,
MAK Center for Art and Architecture
,
Model
,
Money
,
Politics
,
Charlotte Posenenske
,
Rudolph Schindler
,
Tennis
00148
A new way of seeing: Thomas Huber’s landscapes
Robert Barry
Robert Barry
,
Ferdinand Hodler
,
Thomas Huber
,
Lake
,
Lake Lugano
,
Lugano
,
MASI Lugano
,
Mountain
,
Museo d’arte della Svizzera Italiana
,
Painting
,
Luigi Rossi
,
Richard Seewald
,
Switzerland
,
Félix Vallotton
,
Mariane von Werefkin
00131
Building culture in Camden: Reed Watts’ Roundhouse extensio
n
Robert Barry
The Barfly
,
Robert Barry
,
Camden
,
Circus
,
Community
,
Cultural sector
,
Paddy Dillon
,
The Enterprise
,
Tor Evans
,
Freelancers
,
London
,
The Marathon Bar
,
Marnie
,
Materials
,
Network
,
Railway
,
Reed Watts
,
Roundhouse
,
Keir Starmer
,
Matt Watts
,
Roundhouse Works
,
Wood
00106
The poetry of everything: Massimo Bartolini’s musical scaffolding
Robert Barry
Alga Marghan
,
Robert Barry
,
Massimo Bartolini
,
Gavin Bryars
,
John Cage
,
Centro per l'Arte Contemporanea Luigi Pecci
,
Composition
,
Installation
,
Matteo da Prato
,
Massimo Drovandi
,
Samuele Frangioni
,
Fondazione Merz
,
Samuele Maffucci
,
Massimo di Carlo
,
Yari Mazza
,
Music
,
Music box
,
Áine O'Dwyer
,
Organ
,
Pipes
,
Scaffolding
,
Sculpture
,
Sound art,
Wind
,
Wind instrument
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