The Barfly, Robert Barry, Camden, Circus, Community, Cultural sector, Paddy Dillon, The Enterprise, Tor Evans, Freelancers, London, The Marathon Bar, Marnie, Materials, Network, Railway, Reed Watts, Roundhouse, Keir Starmer, Matt Watts, Roundhouse Works, Wood
Alga Marghan, Robert Barry, Massimo Bartolini, Gavin Bryars, John Cage, Centro per l'Arte Contemporanea Luigi Pecci, Composition, Installation, Matteo da Prato, Massimo Drovandi, Samuele Frangioni, Fondazione Merz, Samuele Maffucci, Massimo di Carlo, Yari Mazza, Music, Music box, Áine O'Dwyer, Organ, Pipes, Scaffolding, Sculpture, Sound art, Wind, Wind instrument
AIDs,Florence Ballard, Robert Barry, Scott Covert, Jackie Curtis, Death, Detroit
Memorial Park Cemetery, Max Ernst, Frottage, Grave, Graveyard, Headstone, Life,Rubbing, Nancy Spungen, Michelle Stuart, Studio Voltaire, The Supremes, Tombstone,Rudolph Valentino
Martina Attille, Reece Auguiste, John Akomfrah, Assemble, Robert Barry, Maureen Blackwood, Appau Jnr Boakye-Yiadom, Ceddo Film and Video Workshop, Collage, Dubmorphology, Film, Oliver Fuke, Edward George, Goldsmiths CCA, Lina Gopaul, Handsworth Songs, Isaac Julien, Nadine Marsh-Edwards, Trevor Mathison, Music, Patina, Recording, Sankofa Film and Video Collective, Gary Stewart, Sonic, Sound, Strata, Paloma Strelitz