︎
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
00297
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside out
Will Jennings
Blackhorse Workshop
,
Community
,
Craft
,
Design
,
George Exon
,
Furniture
,
Hypha Studios
,
Industry
,
Will Jennings
,
Pauline Macocco
,
Making
,
Jack Moolark
,
No.1 Poultry
,
Nina Oltarzewska
,
ThisisByron
00294
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
Tolia Astakhishvili
,
Zurab Astakhishvili
,
Decay
,
Deconstruct
,
Dereliction
,
Thea Djorjadze
,
Drawing
,
Nicoletta Fiorucci
,
Hans Ulrich Obrist
,
Heritage
,
History
,
Will Jennings
,
Memory
,
Nicoletta Fiorucci Foundation
,
Palazzo
,
Palimpsest
,
Dylan Peirce
,
Pipework
,
Reconstruct
,
Removal
,
James Richards
,
Angelo Scattolin
,
School
,
Ettore Tito
,
Venice
,
Venice Biennale
00293
An interview with Derrick Adams on the spaces of Black America
Derrick Adams
,
America
,
Baltimore
,
Black
,
Black Baltimore Digital Database
,
Gagosian
,
Will Jennings
,
The Last Resort Artist Retreat
00289
The country’s newest stone circle has been created in Luton as a space for gathering & community
Will Jennings
Activate Performing Arts
,
BMX
,
Clunch
,
Common Practice
,
Community
,
Exodus Collective
,
Will Jennings
,
Land art
,
Leagrave
,
Luton
,
Luton Henge
,
Marsh Farm Outreach
,
Matthew Rosier
,
National Landscape Association
,
Nature Calling
,
Neolithic
,
Stone circle
,
Stonehenge
,
Totternhoe quarry
,
Waulud’s Bank
,
Wildflowers
,
Lucy Wood
00288
An interview with Ronald Rael about 3d printed mud architecture at Desert X
3d printing
,
Adobe
,
California
,
Carbon
,
Coachella Valley
,
Desert X
,
Will Jennings
,
LA
,
Los Angeles
,
Mud
,
Palm Springs
,
Ronald Rael
,
Robot
,
Sci-Arc
,
Sculpture
,
Simone Swan
,
Technology
,
Tree
,
Carlo Zambon
,
Zero carbon
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Venice
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