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Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau













00279
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings

ACDF, Big Solar Furnace, Vladimir Burmakin, Giacomo Cantoni, Ekaterina Golovatyuk, Grace, Will Jennings, Armin Linke, Irena Lipene, Mirror, Science, Soviet Union, Sun Heliocomplex, Sun Institute of Material Science, Tashkent, Tashkent modernism, UNESCO, Uzbekistan, Uzbekistan Art and Culture Development Foundation, Venice Biennale



00276
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings

Body, Carriage, Costume, Grainger Town, Greggs, Grey's Monument, Damian Le Bas, Delaine Le Bas, Footprints, Graffiti, Gypsy, High Bridge Works, Identity, Jabornegg & Pálffy, Will Jennings, Newcastle, Newcastle Contemporary Art, Ronke Osinowo, Paint, Performance, Roma, Hḗrā Santos, Story, Stitching, Harriet Sutcliffe, Traveller, Warehouse, Writing, Yamamoto Keiko Rochaix



00272
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Apocalypse, Cartoon, Leonardo Drew, Eruption, Explosion, Fragments, Theaster Gates, Thomas Hirschorn, Will Jennings, Louise Nevelson, Pablo Picasso, Sculpture, South London Gallery, Wood



00269
Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Los Angeles, California, Campsite, Clyde Chace, Marian Chace, House, Japan, Will Jennings, Helmut Lang, Frank Lloyd Wright, MAK Center for Art and Architecture, Materials, Modernism, Nature, Pueblo, Prada, Pauline Schindler, Rudolph Schindler, Schindler House, Neville Wakefield, Yosemite



00267
An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A Deeper Recess, Leonor Antunes, CAM, Centre de Arte Moderna Gulbenkian, Ceramics, Vladimir Djurovic, Engawa, Garden, Gulbenkian, Interview, Japan, Will Jennings, Kengo Kuma, Landscape, Landscape architecture, Light, Lisbon, Leslie Martin, Museum, Portugal, White



   

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