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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
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Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











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Lives in landscapes: Chris Killip’s photography

Lewis Bush

1980s, Lewis Bush, Community, Conservatives, Walker Evans, Chris Killip,  Landscape, Northumberland, The Photographers Gallery, Photography, Politics, Skinningrove, Paul Strand, Margaret Thatcher, Tyneside, Wallsend



   

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