︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00262
Poetically tending Derek Jarman’s garden: Modern Nature at the Barbican
Will Jennings
AIDS
,
Olly Alexander
,
Beach
,
Barbican
,
Bold Tendancies
,
Jessie Buckley
,
Clouds
,
Keith Collins
,
Creative Folkestone
,
James Dacre
,
Omari Douglas
,
Dungeness
,
Shaun Evans
,
Simon Fisher Turner
,
Garden
,
HIV
,
Illness
,
Derek Jarman
,
Will Jennings
,
Gilbert McCarragher
,
Music
,
Modern Nature
,
Nature
,
Kele Okereke
,
Pebbles
,
Performance
,
Prospect Cottage
,
Sea
,
Section 28
,
Shingle
,
Valgeir Sigurðsson
,
Slow Motion
, T
he Garden
,
The Last of England
,
Tilda Swinton
,
Margaret Thatcher
,
Jessica Walker
,
Nils Wanderer
,
Weather
,
Will Young
00071
Model Housing: Grayson Perry’s antimonument to an east London estate
A House for Artists
,
A House for Essex
,
APPARATA
,
Art Fund
,
Becontree Estate
,
Council Housing
,
Create London
,
Creativity
,
Essex
,
FAT
,
Ford
,
Homes
,
Inspiration Lives Here
,
Light
,
London County Council
,
Grayson Perry
,
Sculpture
,
Social Housing
,
Margaret Thatcher
00061
Lives in landscapes: Chris Killip’s photography
Lewis Bush
1980s
,
Lewis Bush
,
Community
,
Conservatives
,
Walker Evans
,
Chris Killip
,
Landscape
,
Northumberland
,
The Photographers Gallery
,
Photography
,
Politics
,
Skinningrove
,
Paul Strand
,
Margaret Thatcher
,
Tyneside
,
Wallsend
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