︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00179
Moving through gravity & desire: subverting the practice of walking
Jordan Whitewood-Neal
Ashdown Forest
,
Tanya Barson
,
Garnette Cadogan
,
Sarah Jane Cervenak
,
Countryside
,
Disability
,
Falling
,
Édouard Glissant
,
Tom Jeffreys
,
Coretta Scott King
,
Martin Luther King
,
Landscape
,
Carl Lavery
,
Movement
,
Peat
,
Memory
,
MIT Press
,
Jade Montserrat
,
Selma March
,
Moneta Sleet Jr
,
Sop
,
Walking
,
Wheelchair
,
Whitechapel Gallery
,
Jordan Whitewood-Neal
,
James Zatka-Haas
00166
The City in the City by Amy Thomas: London’s financial futures through archive images
Alley
,
Architectural Association
,
City of London
,
City of London Corporation
,
George Cruikshank
,
Gordon Cullen
,
Daniel Defoe
,
Finance
,
Adrian Forty
,
Brian Griffin
,
Charles Holden
,
William Holford
,
William Hogarth
,
London
,
MIT Press
,
Street
,
Amy Thomas
,
Tie
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