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Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale

Rob Fiehn
The country’s newest stone circle has been created in Luton as a space for gathering & community

Will Jennings












00179
Moving through gravity & desire: subverting the practice of walking

Jordan Whitewood-Neal

Ashdown Forest, Tanya Barson, Garnette Cadogan, Sarah Jane Cervenak, Countryside, Disability, Falling, Édouard Glissant, Tom Jeffreys, Coretta Scott King, Martin Luther King, Landscape, Carl Lavery, Movement, Peat, Memory, MIT Press, Jade Montserrat, Selma March, Moneta Sleet Jr, Sop, Walking, Wheelchair, Whitechapel Gallery, Jordan Whitewood-Neal, James Zatka-Haas



00157
Jason Wilsher-Mills in Wakefield: sculpture, disability, care & an Amazonian Caiman God

Will Jennings

Amazon, Boat, Bronze, Caiman, Care, Carers, Sebastian Coe, Edward Colston, Conservative party, Damien Hirst, Disability, God, Will Jennings, Alison Lapper, Mobility, Monument, Moscow Olympics, Parents, Public art, Marc Quinn, Sculpture, SHAPE Arts, Statue, Taxidermy, Ticket offices, Underpants, Venice Biennale, Jason Wilsher-Mills, Wakefield, Walton Hall, Charles Waterton, Wheelchair, Wellcome Collection, Yorkshire



   

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