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From Bauhaus to birdhouse: world famous architects’ avian designs for charity
In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
Lorenzo Graf
Riccardo Buck
An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
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Moving through gravity & desire: subverting the practice of walking
Jordan Whitewood-Neal
Ashdown Forest
,
Tanya Barson
,
Garnette Cadogan
,
Sarah Jane Cervenak
,
Countryside
,
Disability
,
Falling
,
Édouard Glissant
,
Tom Jeffreys
,
Coretta Scott King
,
Martin Luther King
,
Landscape
,
Carl Lavery
,
Movement
,
Peat
,
Memory
,
MIT Press
,
Jade Montserrat
,
Selma March
,
Moneta Sleet Jr
,
Sop
,
Walking
,
Wheelchair
,
Whitechapel Gallery
,
Jordan Whitewood-Neal
,
James Zatka-Haas
00157
Jason Wilsher-Mills in Wakefield: sculpture, disability, care & an Amazonian Caiman God
Will Jennings
Amazon
,
Boat
,
Bronze
,
Caiman
,
Care
,
Carers
,
Sebastian Coe
,
Edward Colston
,
Conservative party
,
Damien Hirst
,
Disability
,
God
,
Will Jennings
,
Alison Lapper
,
Mobility
,
Monument
,
Moscow Olympics
,
Parents
,
Public art
,
Marc Quinn
,
Sculpture
,
SHAPE Arts
,
Statue
,
Taxidermy
,
Ticket offices
,
Underpants
,
Venice Biennale
,
Jason Wilsher-Mills
,
Wakefield
,
Walton Hall
,
Charles Waterton
,
Wheelchair
,
Wellcome Collection
,
Yorkshire
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