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At Edinburgh’s RSA, architect Richard Murphy looks at the generational family tree of design


Will Jennings

The John Soane x Minecraft collab that allows you to explore ancient architecture

Cerith Wyn Evans  glows in MAAT, Lisbon

Will Jennings

Ursula K Le Guin’s speculative cartography

Sam Moore

The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings










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Moving through gravity & desire: subverting the practice of walking

Jordan Whitewood-Neal

Ashdown Forest, Tanya Barson, Garnette Cadogan, Sarah Jane Cervenak, Countryside, Disability, Falling, Édouard Glissant, Tom Jeffreys, Coretta Scott King, Martin Luther King, Landscape, Carl Lavery, Movement, Peat, Memory, MIT Press, Jade Montserrat, Selma March, Moneta Sleet Jr, Sop, Walking, Wheelchair, Whitechapel Gallery, Jordan Whitewood-Neal, James Zatka-Haas



00157
Jason Wilsher-Mills in Wakefield: sculpture, disability, care & an Amazonian Caiman God

Will Jennings

Amazon, Boat, Bronze, Caiman, Care, Carers, Sebastian Coe, Edward Colston, Conservative party, Damien Hirst, Disability, God, Will Jennings, Alison Lapper, Mobility, Monument, Moscow Olympics, Parents, Public art, Marc Quinn, Sculpture, SHAPE Arts, Statue, Taxidermy, Ticket offices, Underpants, Venice Biennale, Jason Wilsher-Mills, Wakefield, Walton Hall, Charles Waterton, Wheelchair, Wellcome Collection, Yorkshire



   

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