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Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art
Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art
Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity
Barney Pau
00179
Moving through gravity & desire: subverting the practice of walking
Jordan Whitewood-Neal
Ashdown Forest
,
Tanya Barson
,
Garnette Cadogan
,
Sarah Jane Cervenak
,
Countryside
,
Disability
,
Falling
,
Édouard Glissant
,
Tom Jeffreys
,
Coretta Scott King
,
Martin Luther King
,
Landscape
,
Carl Lavery
,
Movement
,
Peat
,
Memory
,
MIT Press
,
Jade Montserrat
,
Selma March
,
Moneta Sleet Jr
,
Sop
,
Walking
,
Wheelchair
,
Whitechapel Gallery
,
Jordan Whitewood-Neal
,
James Zatka-Haas
00157
Jason Wilsher-Mills in Wakefield: sculpture, disability, care & an Amazonian Caiman God
Will Jennings
Amazon
,
Boat
,
Bronze
,
Caiman
,
Care
,
Carers
,
Sebastian Coe
,
Edward Colston
,
Conservative party
,
Damien Hirst
,
Disability
,
God
,
Will Jennings
,
Alison Lapper
,
Mobility
,
Monument
,
Moscow Olympics
,
Parents
,
Public art
,
Marc Quinn
,
Sculpture
,
SHAPE Arts
,
Statue
,
Taxidermy
,
Ticket offices
,
Underpants
,
Venice Biennale
,
Jason Wilsher-Mills
,
Wakefield
,
Walton Hall
,
Charles Waterton
,
Wheelchair
,
Wellcome Collection
,
Yorkshire
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