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recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00166
The City in the City by Amy Thomas: London’s financial futures through archive images
Alley
,
Architectural Association
,
City of London
,
City of London Corporation
,
George Cruikshank
,
Gordon Cullen
,
Daniel Defoe
,
Finance
,
Adrian Forty
,
Brian Griffin
,
Charles Holden
,
William Holford
,
William Hogarth
,
London
,
MIT Press
,
Street
,
Amy Thomas
,
Tie
00125
Lagos, Peckham, Repeat: a layering of place & people
Veronica Simpson
Africa
,
Colonial Film Unit
,
Diaspora
,
Ndidi Dike
,
Victor Ehikhamenor
,
William Hogarth
,
Onyeka Igwe
,
Lagos
,
Lagos Biennial
,
London
,
Markets
,
Adeyemi Michael
,
Nigeria
,
Nigerian Film Unit
,
Emeka Ogboh
,
Folakunie Oshun
,
Peckham
,
Religion
,
Yinka Shonibare
,
Veronica Simpson
,
South London Gallery
,
Spirituality
,
Yoruba people
,
Unilever
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Venice
Biennale 2025: part 3,
the 
