︎
Power & photography: picturing architecture in the 19th century
Josh Allen
Julian Opie & a virtual extension of place
Will Jennings
Entangled bodies in a queer black domestic: Jonathan Lyndon Chase
Teshome Douglas-Campbell
Nyima Murry
Radical salvage: Mike Nelson at the Hayward Gallery
Paul Dobraszczyk
Imagining architecture: Assassin’s Creed & Anglo Saxon Wincestre
Geometry in place: Sam Jacobs & Wassef Boutros-Ghali
Will Jennings
00041
Weaving visibility: Andrea Mindel’s public embroidery
Jordan Whitewood-Neal
Covid
,
Dada
,
DASH
,
Disability
,
Embroidery
,
Hair
,
Tony Heaton
,
Mike Layward
,
Rick Mather Architects
,
Andrea Mindel
,
Georges Perec
,
Terry Smith
,
Towner Eastbourne
,
We are Invisible We are Visible
,
WAIWAV
,
Jordan Whitewood-Neal
,
Aaron Williamson
00029
London’s Venetian garden of privatised earthly delights
Will Jennings
Architectural Association
,
The Building Centre
,
Built Works
,
Commons
,
The Decorators
,
Disability
,
The Garden of Earthly Delights
,
The Garden of Privatised Delights
,
Will Jennings
,
Madeleine Kessler
,
London
,
Museum of Architecture
,
Private space
,
Privatisation
,
Pub
,
Public space
,
Public Works
,
Studio Polpo
,
Unscene Architecture
,
Venice Biennale
,
Manijeh Verghese
,
vPPR Architects
ABOUT
INDEX
︎
︎
Power & photography: picturing architecture in the 19th
century 
Julian Opie & a virtual extension of place
Entangled bodies in a queer black domestic: Jonathan Lyndon Chase
Geometry in place: Sam Jacobs & Wassef Boutros-Ghali
