︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00251
The origins & afterlife of tarot & the Warburg Institute
Will Jennings
Theodor Adorno
,
Walter Benjamin
,
Maria Balshaw
,
Bloomsbury
,
Italo Calvino
,
Pamela Colman Smith
,
Aleister Crowley
,
Albert Einstein
,
Ellipse
,
Esoteric
,
Frankfurt
,
Edward George
,
Ernst Gombrich
,
Frieda Harris
,
Graham Haworth
,
Haworth Tompkins
,
Katy Hessel
,
Charles Holden
,
Will Jennings
,
Library
,
London
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London Library
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Abu Mashar
,
Nazi Germany
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Occult
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Austin Osman Spare
,
Plastique Fantastique
,
Research
,
Tarot
,
Tarot cards
,
Suzanne Treister
,
University of London
,
Visual culture
,
AE Waite
,
John Walter
,
Aby Warburg
,
Warburg Institute
00166
The City in the City by Amy Thomas: London’s financial futures through archive images
Alley
,
Architectural Association
,
City of London
,
City of London Corporation
,
George Cruikshank
,
Gordon Cullen
,
Daniel Defoe
,
Finance
,
Adrian Forty
,
Brian Griffin
,
Charles Holden
,
William Holford
,
William Hogarth
,
London
,
MIT Press
,
Street
,
Amy Thomas
,
Tie
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