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Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Robert Barry
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Venice Biennale, 28 days later
Yuki Sumner
AI
,
Jun Aoki
,
Bacteria
,
Reyner Banham
,
Julie Bargmann
,
Bjarke Ingels Group
,
Marlon Blackwell
,
Cave Bureau
,
Beatriz Colomina
,
Diller Scofidio + Renfro
,
Michel Foucault
,
Lina Ghotmeh
,
Bruno Giacometti
,
Thomas Heatherwick
,
Owen Hopkins
,
Intelligens
,
Wong Kar-wai
,
Kengo Kuma
,
Yasmeen Lari
,
Boonserm Premthada
,
Carlo Ratti
,
Robots
,
Lisbeth Sachs
,
Rebecca Solnit
,
Squero Castello Gallery
,
Venice Biennale
,
Studio NEiDA
,
Yuki Sumner
,
Vector Architects
,
Yohji Yamamoto
,
Wim Wenders
,
Richard Wilson
,
Kathryn Yusoff
,
Zombies
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The Fun Palace: a megastructure of cultural flexibility
Reyner Banham
Archigram
,
Architecture
,
Reyner Banham
,
Fun Palace
,
Joan Littlewood
,
London
,
Megastructure
,
Monacelli Press
,
Cedric Price
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