Tea Ala-Ruona, AMO/OMA, Arsenale Institute for Political Representation, Tolia Astakhishvilli, Bahrain, John Baldessari, Barricades, Belgium, Bodies, Canada, Gaëlle Choisne, Albrecht Dürer, Fondazione Prada, Fondazione Querini Stampalia, Gallerie dell'Accademia, Giorgione, GRACE, Ireland, Rem Koolhaas, Living Room Collective, Luxembourg, Stefano Mancuso, Michelangelo, Montenegro, Museu Correr, Netherlands, Nicoletta Fiorucci Foundation, Nordic Pavilion, Hans Ulrich Obrist, OMA, Jorge Orta, Lucy Orta, Poland, Antonio Rizzo, Emir Šehanović, Serbia, Carlo Scarpa, Scuola Piccola Zattere, Harry Seidler, Slovenia, SMAC, Bas Smets, SPARC, Ivan Šuković, Sun Heliocomplex, Dejan Todorović, Uzbekistan, Venice, Venice Biennale, Leonardo da Vinci, Jung Youngsun, Miljana Zeković
Tolia Astakhishvili, Zurab Astakhishvili, Decay, Deconstruct, Dereliction, Thea Djorjadze, Drawing, Nicoletta Fiorucci, Hans Ulrich Obrist, Heritage, History, Will Jennings, Memory, Nicoletta Fiorucci Foundation, Palazzo, Palimpsest, Dylan Peirce, Pipework, Reconstruct, Removal, James Richards, Angelo Scattolin, School, Ettore Tito, Venice, Venice Biennale
Alejandro Aravena, Austria, Community, Concrete, Drama, ELEMENTAL, Estonia, Exhibition design, Rob Fiehn, France, House, Housing, Insulation, Jakob+MacFarlane, Keiti Lige, Elina Liiva, Helena Männa, Holcim, Michael Obrist, Sabine Pollak, Märten Rattasepp, Renewal Development, Retrofit, Rome, Lorenzo Romito, Venice, Venice Biennale, Vienna
ACDF, Big Solar Furnace, Vladimir Burmakin, Giacomo Cantoni, Ekaterina Golovatyuk, Grace, Will Jennings, Armin Linke, Irena Lipene, Mirror, Science, Soviet Union, Sun Heliocomplex, Sun Institute of Material Science, Tashkent, Tashkent modernism, UNESCO, Uzbekistan, Uzbekistan Art and Culture Development Foundation, Venice Biennale