︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00273
Venice Biennale, 28 days later
Yuki Sumner
AI
,
Jun Aoki
,
Bacteria
,
Reyner Banham
,
Julie Bargmann
,
Bjarke Ingels Group
,
Marlon Blackwell
,
Cave Bureau
,
Beatriz Colomina
,
Diller Scofidio + Renfro
,
Michel Foucault
,
Lina Ghotmeh
,
Bruno Giacometti
,
Thomas Heatherwick
,
Owen Hopkins
,
Intelligens
,
Wong Kar-wai
,
Kengo Kuma
,
Yasmeen Lari
,
Boonserm Premthada
,
Carlo Ratti
,
Robots
,
Lisbeth Sachs
,
Rebecca Solnit
,
Squero Castello Gallery
,
Venice Biennale
,
Studio NEiDA
,
Yuki Sumner
,
Vector Architects
,
Yohji Yamamoto
,
Wim Wenders
,
Richard Wilson
,
Kathryn Yusoff
,
Zombies
00038
Meeting zombies by the fountain: George Romero’s shopping mall
Alexandra Lange
Ray Bradbury
,
Dawn of the Dead
,
Joan Didion
,
Film
,
Horror
,
Andrea Lange
,
Mall
,
Meet me by the fountain
,
George Romero
,
Shopping centre
,
Shopping mall
,
Suburbs
,
Zombies
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