︎

Swinging in the gallery: art meets golf at Battersea Arts Centre

An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art


Will Jennings

Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
c

Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos
The Grand in Folkestone: ambitions plans for a Barbican-by-the-sea

Will Jennings
Our top ten highlights from Photo London as it enters a new era










00305
Venice Biennale 2025: part 2, the bad

AI, Architectural Lobby, Alejandro Aravana, Chat GPT, ELEMENTAL, Greek Council for Refugees, Heatherwick Studio, Bjarke Ingels, Kengo Kuma, Kevin Mastro, MIT, Politecnico di Milano, Carlo Ratti, Robots, Venice, Technology, Venice Biennale, Venice Biennale of Architecture, Zicheng Xu



00273
Venice Biennale, 28 days later

Yuki Sumner

AI, Jun Aoki, Bacteria, Reyner Banham, Julie Bargmann, Bjarke Ingels Group, Marlon Blackwell, Cave Bureau, Beatriz Colomina, Diller Scofidio + Renfro, Michel Foucault, Lina Ghotmeh, Bruno Giacometti, Thomas Heatherwick, Owen Hopkins, Intelligens, Wong Kar-wai, Kengo Kuma, Yasmeen Lari, Boonserm Premthada, Carlo Ratti, Robots, Lisbeth Sachs, Rebecca Solnit, Squero Castello Gallery, Venice Biennale, Studio NEiDA, Yuki Sumner, Vector Architects, Yohji Yamamoto, Wim Wenders, Richard Wilson, Kathryn Yusoff, Zombies



00267
An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A Deeper Recess, Leonor Antunes, CAM, Centre de Arte Moderna Gulbenkian, Ceramics, Vladimir Djurovic, Engawa, Garden, Gulbenkian, Interview, Japan, Will Jennings, Kengo Kuma, Landscape, Landscape architecture, Light, Lisbon, Leslie Martin, Museum, Portugal, White



   

 TRAVEL   ABOUT   NEWSLETTER   INDEX   ︎