︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00305
Venice Biennale 2025: part 2, the bad
AI
,
Architectural Lobby
,
Alejandro Aravana
,
Chat GPT
,
ELEMENTAL
,
Greek Council for Refugees
,
Heatherwick Studio
,
Bjarke Ingels
,
Kengo Kuma
,
Kevin Mastro
,
MIT
,
Politecnico di Milano
,
Carlo Ratti
,
Robots
,
Venice
,
Technology
,
Venice Biennale
,
Venice Biennale of Architecture
,
Zicheng Xu
00273
Venice Biennale, 28 days later
Yuki Sumner
AI
,
Jun Aoki
,
Bacteria
,
Reyner Banham
,
Julie Bargmann
,
Bjarke Ingels Group
,
Marlon Blackwell
,
Cave Bureau
,
Beatriz Colomina
,
Diller Scofidio + Renfro
,
Michel Foucault
,
Lina Ghotmeh
,
Bruno Giacometti
,
Thomas Heatherwick
,
Owen Hopkins
,
Intelligens
,
Wong Kar-wai
,
Kengo Kuma
,
Yasmeen Lari
,
Boonserm Premthada
,
Carlo Ratti
,
Robots
,
Lisbeth Sachs
,
Rebecca Solnit
,
Squero Castello Gallery
,
Venice Biennale
,
Studio NEiDA
,
Yuki Sumner
,
Vector Architects
,
Yohji Yamamoto
,
Wim Wenders
,
Richard Wilson
,
Kathryn Yusoff
,
Zombies
00267
An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian
Will Jennings
A Deeper Recess
,
Leonor Antunes
,
CAM
,
Centre de Arte Moderna Gulbenkian
,
Ceramics
,
Vladimir Djurovic
,
Engawa
,
Garden
,
Gulbenkian
,
Interview
,
Japan
,
Will Jennings
,
Kengo Kuma
,
Landscape
,
Landscape architecture
,
Light
,
Lisbon
,
Leslie Martin
,
Museum
,
Portugal
,
White
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Venice
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