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An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
An interview with Derrick Adams on the spaces of Black America
00273
Venice Biennale, 28 days later
Yuki Sumner
AI
,
Jun Aoki
,
Bacteria
,
Reyner Banham
,
Julie Bargmann
,
Bjarke Ingels Group
,
Marlon Blackwell
,
Cave Bureau
,
Beatriz Colomina
,
Diller Scofidio + Renfro
,
Michel Foucault
,
Lina Ghotmeh
,
Bruno Giacometti
,
Thomas Heatherwick
,
Owen Hopkins
,
Intelligens
,
Wong Kar-wai
,
Kengo Kuma
,
Yasmeen Lari
,
Boonserm Premthada
,
Carlo Ratti
,
Robots
,
Lisbeth Sachs
,
Rebecca Solnit
,
Squero Castello Gallery
,
Venice Biennale
,
Studio NEiDA
,
Yuki Sumner
,
Vector Architects
,
Yohji Yamamoto
,
Wim Wenders
,
Richard Wilson
,
Kathryn Yusoff
,
Zombies
00267
An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian
Will Jennings
A Deeper Recess
,
Leonor Antunes
,
CAM
,
Centre de Arte Moderna Gulbenkian
,
Ceramics
,
Vladimir Djurovic
,
Engawa
,
Garden
,
Gulbenkian
,
Interview
,
Japan
,
Will Jennings
,
Kengo Kuma
,
Landscape
,
Landscape architecture
,
Light
,
Lisbon
,
Leslie Martin
,
Museum
,
Portugal
,
White
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