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Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created

Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway

Robert Barry













00273
Venice Biennale, 28 days later

Yuki Sumner

AI, Jun Aoki, Bacteria, Reyner Banham, Julie Bargmann, Bjarke Ingels Group, Marlon Blackwell, Cave Bureau, Beatriz Colomina, Diller Scofidio + Renfro, Michel Foucault, Lina Ghotmeh, Bruno Giacometti, Thomas Heatherwick, Owen Hopkins, Intelligens, Wong Kar-wai, Kengo Kuma, Yasmeen Lari, Boonserm Premthada, Carlo Ratti, Robots, Lisbeth Sachs, Rebecca Solnit, Squero Castello Gallery, Venice Biennale, Studio NEiDA, Yuki Sumner, Vector Architects, Yohji Yamamoto, Wim Wenders, Richard Wilson, Kathryn Yusoff, Zombies



00267
An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A Deeper Recess, Leonor Antunes, CAM, Centre de Arte Moderna Gulbenkian, Ceramics, Vladimir Djurovic, Engawa, Garden, Gulbenkian, Interview, Japan, Will Jennings, Kengo Kuma, Landscape, Landscape architecture, Light, Lisbon, Leslie Martin, Museum, Portugal, White



   

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