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The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
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recessed.space: Ground Collective communicate with silent rivers
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Venice Biennale 2025: part 1, the good
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Venice Biennale 2025: part 2, the bad
AI
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Architectural Lobby
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Alejandro Aravana
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Chat GPT
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ELEMENTAL
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Greek Council for Refugees
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Heatherwick Studio
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Bjarke Ingels
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Kengo Kuma
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Kevin Mastro
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MIT
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Politecnico di Milano
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Carlo Ratti
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Robots
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Venice
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Technology
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Venice Biennale
,
Venice Biennale of Architecture
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Zicheng Xu
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Venice Biennale, 28 days later
Yuki Sumner
AI
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Jun Aoki
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Bacteria
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Reyner Banham
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Julie Bargmann
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Bjarke Ingels Group
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Marlon Blackwell
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Cave Bureau
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Beatriz Colomina
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Diller Scofidio + Renfro
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Michel Foucault
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Lina Ghotmeh
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Bruno Giacometti
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Thomas Heatherwick
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Owen Hopkins
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Intelligens
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Wong Kar-wai
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Kengo Kuma
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Yasmeen Lari
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Boonserm Premthada
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Carlo Ratti
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Robots
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Lisbeth Sachs
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Rebecca Solnit
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Squero Castello Gallery
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Venice Biennale
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Studio NEiDA
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Yuki Sumner
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Vector Architects
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Yohji Yamamoto
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Wim Wenders
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Richard Wilson
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Kathryn Yusoff
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Zombies
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An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian
Will Jennings
A Deeper Recess
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Leonor Antunes
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CAM
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Centre de Arte Moderna Gulbenkian
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Ceramics
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Vladimir Djurovic
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Engawa
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Garden
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Gulbenkian
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Interview
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Japan
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Will Jennings
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Kengo Kuma
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Landscape
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Landscape architecture
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Light
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Lisbon
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Leslie Martin
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Museum
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Portugal
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White
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