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An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art
Will Jennings
Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
c
Will Jennings
Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery
Isabel de Vasconcellos
The Grand in Folkestone: ambitions plans for a Barbican-by-the-sea
Will Jennings
Our top ten highlights from Photo London as it enters a new era
Californian architects MAP are using AI to push a new frontier into uncanny valley
Steve Taylor
00305
Venice Biennale 2025: part 2, the bad
AI
,
Architectural Lobby
,
Alejandro Aravana
,
Chat GPT
,
ELEMENTAL
,
Greek Council for Refugees
,
Heatherwick Studio
,
Bjarke Ingels
,
Kengo Kuma
,
Kevin Mastro
,
MIT
,
Politecnico di Milano
,
Carlo Ratti
,
Robots
,
Venice
,
Technology
,
Venice Biennale
,
Venice Biennale of Architecture
,
Zicheng Xu
00273
Venice Biennale, 28 days later
Yuki Sumner
AI
,
Jun Aoki
,
Bacteria
,
Reyner Banham
,
Julie Bargmann
,
Bjarke Ingels Group
,
Marlon Blackwell
,
Cave Bureau
,
Beatriz Colomina
,
Diller Scofidio + Renfro
,
Michel Foucault
,
Lina Ghotmeh
,
Bruno Giacometti
,
Thomas Heatherwick
,
Owen Hopkins
,
Intelligens
,
Wong Kar-wai
,
Kengo Kuma
,
Yasmeen Lari
,
Boonserm Premthada
,
Carlo Ratti
,
Robots
,
Lisbeth Sachs
,
Rebecca Solnit
,
Squero Castello Gallery
,
Venice Biennale
,
Studio NEiDA
,
Yuki Sumner
,
Vector Architects
,
Yohji Yamamoto
,
Wim Wenders
,
Richard Wilson
,
Kathryn Yusoff
,
Zombies
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