︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00234
Creatively collaborating with place: an artistic exploration of Dartmoor’s radical landscapes
Nyima Murry
Fern Leigh Albert
,
Robert Darch
,
Dartmoor
,
Dartmoor Preservation Association
,
Sian Davey
,
Susan Derges
,
ecology
,
Exeter
,
Ashish Ghadiali
,
Lara Goodban
d,
Alex Hartley
,
Nancy Holt
,
nature
,
land art
,
landscape
,
Richard Long
,
moorland
,
Nyima Murry
,
photography
,
politics
,
RAMM
,
River Taw
,
Royal Albert Memorial Museum
,
stone
,
walking
,
Marie Yates
00056
Queering the transect: an extract from Natura Urbana
Matthew Gandy
Sara Ahmed
,
Paul-Armand Gette
,
Berlin
,
François Bon
,
Brachen
,
Dérive
,
Dorothy Brown
,
Frederic Clements
,
Lauren Elkin
,
Simon Faithfull
,
Matthew Gandy
,
Tim Ingold
,
Carl Jung
,
Landscape
,
Line
,
Richard Long
,
François Maspero
,
Gordon Matta-Clark
,
Ed Ruscha
,
Natura Urbana
,
Nature
,
Morag Rose
,
Situationists
,
Isabelle Stengers
,
Straight
,
Straight line
,
Walking
,
Wasteland
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Venice
Biennale 2025: part 3,
the 
