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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00225
Albumen Gallery are bringing architecture & emptiness to Unseen Amsterdam

Abandomment, Albumen Gallery, Amsterdam, Berlin, Robert Conrad, Documentary, East Germany, Emptiness, History, Thomas Kemnitz, Photography, Ruinlust, Steven Seidenberg, Edmund Sumner, Unseen Amsterdam, Urban exploring, Westergas



00098
E-WERK Luckenwalde: a powerful arts centre for the future

Will Jennings

Anthropocene, Art centre, Berlin, CIRCA, Agnes Denes, East Germany, Einstürzende Neubauten, Electricity, E-WERK, FM Einheit, Kira Freije,Gallery, Germany, Industry, Infrastructure, Will Jennings, Kunststrom,Luckenwalde, Luma Arles, Machinery, Erich Mendelsohn, Network, Performance,Post-industrial, Power, Power station, Rupert, Stadtbad, Sound art, The Sun and the Sea, Samuel Treindl, Helen Turner, Pablo Wendel



00056
Queering the transect: an extract from Natura Urbana

Matthew Gandy

Sara Ahmed, Paul-Armand Gette, Berlin, François Bon, Brachen, Dérive, Dorothy Brown, Frederic Clements, Lauren Elkin, Simon Faithfull, Matthew Gandy, Tim Ingold, Carl Jung, Landscape, Line, Richard Long, François Maspero, Gordon Matta-Clark, Ed Ruscha, Natura Urbana, Nature, Morag Rose, Situationists, Isabelle Stengers, Straight, Straight line, Walking, Wasteland



00006
Invisible Gods

Quintin Lake

Artwork, Berlin, Greece, Pergamon Altar, Photography, Quintin Lake



   

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