︎
Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Robert Barry
00225
Albumen Gallery are bringing architecture & emptiness to Unseen Amsterdam
Abandomment
,
Albumen Gallery
,
Amsterdam
,
Berlin
,
Robert Conrad
,
Documentary
,
East Germany
,
Emptiness
,
History
,
Thomas Kemnitz
,
Photography
,
Ruinlust
,
Steven Seidenberg
,
Edmund Sumner
,
Unseen Amsterdam
,
Urban exploring
,
Westergas
00098
E-WERK Luckenwalde: a powerful arts centre for the future
Will Jennings
Anthropocene
,
Art centre
,
Berlin
,
CIRCA
,
Agnes Denes
,
East Germany
,
Einstürzende Neubauten
,
Electricity
,
E-WERK
,
FM Einheit
,
Kira Freije
,
Gallery
,
Germany
,
Industry
,
Infrastructure
,
Will Jennings
,
Kunststrom
,
Luckenwalde
,
Luma Arles
,
Machinery
,
Erich Mendelsohn
,
Network
,
Performance
,
Post-industrial
,
Power
,
Power station
,
Rupert
,
Stadtbad
,
Sound art
,
The Sun and the Sea
,
Samuel Treindl
,
Helen Turner
,
Pablo Wendel
00056
Queering the transect: an extract from Natura Urbana
Matthew Gandy
Sara Ahmed
,
Paul-Armand Gette
,
Berlin
,
François Bon
,
Brachen
,
Dérive
,
Dorothy Brown
,
Frederic Clements
,
Lauren Elkin
,
Simon Faithfull
,
Matthew Gandy
,
Tim Ingold
,
Carl Jung
,
Landscape
,
Line
,
Richard Long
,
François Maspero
,
Gordon Matta-Clark
,
Ed Ruscha
,
Natura Urbana
,
Nature
,
Morag Rose
,
Situationists
,
Isabelle Stengers
,
Straight
,
Straight line
,
Walking
,
Wasteland
00006
Invisible Gods
Quintin Lake
Artwork
,
Berlin
,
Greece
,
Pergamon Altar
,
Photography
,
Quintin Lake
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