David Abram, Edel Assanti, Roland Barthes, Communication, Mirtha Dermisache, Each Place Its Own Mind, Enlightenment, Jeremy Epstein, Noémie Goudal, Sky Hopinka, Anna Hulačová, Marguerite Humeau, Indigeneity, Indigenous art, Will Jennings, Bronwyn Katz, Landscape, Language, Kat Lyons, Nature, Yukultji Napangati, The Spell of the Sensuous, Text, Emmanuel Vander Auwera, Writing
Alps, Arman, Bally, Bally Foundation, Vanessa Beecroft, Hélène Bieber, Mario Botta, Jean Baudrillard, Alexander Calder, Campione d’Italia, Collezione Giancarlo e Danna Olgiati, Hugo Dunkel, Raphaël Emine, Gandria, Luigi Ghirri, Ittah Yoda, Ivano Gioanola, Thomas Huber, Will Jennings, Yves Klein, Lake, Lake Lugano, Landscape, Light, James Lingwood, Lugano, Map, MASI Lugano, Mountains, Palazzo Reali, Photography, Sculpture, Julia Steiner, Switzerland, Ticino architecture, Tourism, Villa Heleneum, Julius von Bismarck
Fern Leigh Albert, Robert Darch, Dartmoor, Dartmoor Preservation Association, Sian Davey, Susan Derges, ecology, Exeter, Ashish Ghadiali, Lara Goodband, Alex Hartley, Nancy Holt, nature, land art, landscape, Richard Long, moorland, Nyima Murry, photography, politics, RAMM, River Taw, Royal Albert Memorial Museum, stone, walking, Marie Yates
Arabic, Artes Mundi, Chisenhale Gallery, Rachel Dedman, Diaspora, Drinking fountain, Environment, Alia Farid, Film, Henie Onstad Kunstsenter, Intercultural Museum, Iran, Iraq, Jameel Prize, Landscape, Lise Wilhelmsen Art Award, Kuwait, Oil, Oslo, Palestine, Phaidon, Puerto Rico, Ritual, Sculpture, Senegal, Sfeir-Semler Gallery, Jelena Sofronijevic, Tapestry, Vessel, Victoria & Albert Museum, Water