︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00170
A night-time
flâneuse
of the nonplace: Tales of Estrangement by Effie Paleologou
Absence
,
Athens
,
Covid
,
Darkness
,
Brian Dillon
,
Lauren Elkin
,
Flâneur
,
Flâneuse
,
Light
,
London
,
Mack Books
,
Night
,
Night-time
,
Effie Paleologou
,
Photography
,
Shadows
,
Iain Sinclair
,
Walking
,
Windows
00056
Queering the transect: an extract from Natura Urbana
Matthew Gandy
Sara Ahmed
,
Paul-Armand Gette
,
Berlin
,
François Bon
,
Brachen
,
Dérive
,
Dorothy Brown
,
Frederic Clements
,
Lauren Elkin
,
Simon Faithfull
,
Matthew Gandy
,
Tim Ingold
,
Carl Jung
,
Landscape
,
Line
,
Richard Long
,
François Maspero
,
Gordon Matta-Clark
,
Ed Ruscha
,
Natura Urbana
,
Nature
,
Morag Rose
,
Situationists
,
Isabelle Stengers
,
Straight
,
Straight line
,
Walking
,
Wasteland
00013
Vlatka Horvat’s collaged landscapes
Vlatka Horvat
Architecture
,
Collage
,
Covid
,
Lockdown
,
London
,
Looking
,
Photography
,
Lauren Elkin
,
Vlatka Horvat
,
Interview
,
PEER Gallery
,
Georges Perec
,
Performance
,
Sculpture
,
Video
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