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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00234
Creatively collaborating with place: an artistic exploration of Dartmoor’s radical landscapes

Nyima Murry

Fern Leigh Albert, Robert Darch, Dartmoor, Dartmoor Preservation Association, Sian Davey, Susan Derges, ecology, Exeter, Ashish Ghadiali, Lara Goodband, Alex Hartley, Nancy Holt, nature, land art, landscape, Richard Long, moorland, Nyima Murry, photography, politics, RAMM, River Taw, Royal Albert Memorial Museum, stone, walking, Marie Yates



00067
Earth’s empty rooms: Cave diving at Nottingham Contemporary

Will Jennings

Anthropocene, Black, Sofia Borges, Brassaï, Caruso St John, Cave, Cave painting, Center for Land Use Interpretation, Dark, Darkness, Degas, Fire, Barry Flanagan, Fourth Plinth, Leo Frobenius, Glucksman, Grotto, Alberto Giacometti, Hayward Gallery, Athanasius Kircher, Paul Klee, Goshka Macuga, René Magritte, Henry Moore, Nottingham, Nottingham Contemporary, Elisabeth Pauli, Plato, Jackson Pollack, RAMM, Ben Rivers, Science fiction, Space, Subterrannia, Subterrannian, Technology, Threshold, Caragh Thuring, Underground, Vesuvius, Volcano, Mark von Schlegell, Jeff Wall, Joseph Wright of Derby



   

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