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Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out

Will Jennings

Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art












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Creatively collaborating with place: an artistic exploration of Dartmoor’s radical landscapes

Nyima Murry

Fern Leigh Albert, Robert Darch, Dartmoor, Dartmoor Preservation Association, Sian Davey, Susan Derges, ecology, Exeter, Ashish Ghadiali, Lara Goodband, Alex Hartley, Nancy Holt, nature, land art, landscape, Richard Long, moorland, Nyima Murry, photography, politics, RAMM, River Taw, Royal Albert Memorial Museum, stone, walking, Marie Yates



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Earth’s empty rooms: Cave diving at Nottingham Contemporary

Will Jennings

Anthropocene, Black, Sofia Borges, Brassaï, Caruso St John, Cave, Cave painting, Center for Land Use Interpretation, Dark, Darkness, Degas, Fire, Barry Flanagan, Fourth Plinth, Leo Frobenius, Glucksman, Grotto, Alberto Giacometti, Hayward Gallery, Athanasius Kircher, Paul Klee, Goshka Macuga, René Magritte, Henry Moore, Nottingham, Nottingham Contemporary, Elisabeth Pauli, Plato, Jackson Pollack, RAMM, Ben Rivers, Science fiction, Space, Subterrannia, Subterrannian, Technology, Threshold, Caragh Thuring, Underground, Vesuvius, Volcano, Mark von Schlegell, Jeff Wall, Joseph Wright of Derby



   

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