︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00219
Crafting new ways to consider Harewood House at its third biennial of art & design
Robert Adam
,
Arabeschi Di Latte
,
Charles Barry
,
BEIT Collective
,
Botanique Studios
,
Britto Arts Trust
,
Capability Brown
,
John Carr
,
Rebecca Chesney
,
Craft
,
Colonisation
,
Design
,
Ecology
,
Jakup Ferri
,
Harewood Biennial
,
Harewood House
,
Rosa Harradine
,
History
,
Hew Locke
,
Kusheda Mensah
,
Modular by Mensah
,
Trevor Nicholson
,
Temitayo Ogunbiyi
,
Darren Pih
,
Lucia Pizzani
,
Ligaya Salazar
,
Francesca Sarti
,
Jo Woffinden
00180
Twisted & phallic sculptures have disrupted Capability Brown’s smoothness at Compton Verney
Larry Achiampong
,
Robert Adam
,
Capability Brown
,
Louise Bourgeois
,
Helen Chadwick
,
Compton Verney
,
Nicholas Deshayes
,
Permindar Kau
r,
Landscape
,
Masculine
,
Sarah Lucas
,
Sculpture
,
Augustas Serapinas
,
Erika Verzutti
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Venice
Biennale 2025: part 3,
the 
