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You’re all invited to Jeremy Deller’s public party
Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
00219
Crafting new ways to consider Harewood House at its third biennial of art & design
Robert Adam
,
Arabeschi Di Latte
,
Charles Barry
,
BEIT Collective
,
Botanique Studios
,
Britto Arts Trust
,
Capability Brown
,
John Carr
,
Rebecca Chesney
,
Craft
,
Colonisation
,
Design
,
Ecology
,
Jakup Ferri
,
Harewood Biennial
,
Harewood House
,
Rosa Harradine
,
History
,
Hew Locke
,
Kusheda Mensah
,
Modular by Mensah
,
Trevor Nicholson
,
Temitayo Ogunbiyi
,
Darren Pih
,
Lucia Pizzani
,
Ligaya Salazar
,
Francesca Sarti
,
Jo Woffinden
00183
Models for a new society: Enzo Mari at the Design Museum
Artemide
,
Children
,
Communism
,
Consumerism
,
Design
,
Design Museum
,
Drawing
,
Furniture
,
Games
,
Francesca Giacomelli
,
Goose
,
Graphics
,
Humour
,
Labour
,
Enzo Mari
,
Material
,
Milan
,
Hans Ulrich Obrist
,
Politics
,
Product
,
Scale
,
Toys
,
Triennale Milano
,
Workers
00178
An uncanny framing: Thea Djordjadze at Sprüth Magers
Design
,
Furniture
,
Thea Djordjadze
,
Metal
,
Minimal
,
Monochrome
,
Sculpture
,
Sprüth Magers
00142
Material, form & process: Matt Rugg’s post-industrial sculptures
Will Jennings
Alvar Aalto
,
Apollo Pavilion
,
Assemblage
,
Cable
,
Chelsea School of Art
,
Cooling towers
,
Craft
,
Design
,
Education
,
Factories
,
Fencing
,
Richard Hamilton
,
Hatton Gallery
,
Industrial
,
Industry
,
Will Jennings
,
James Joyce
,
Metal
,
Merzbarn
,
Newcastle
,
Painting
,
Peterlee
,
Eduardo Paolozzi
,
Victor Pasmore
,
Plastic
,
Gerrit Rietveld
,
Matt Rugg
,
Kurt Schwitters
,
Sculpture
,
Steel
,
Tools
,
TS Eliot
,
Harriet Sutcliffe
,
University of Newcastle
,
Wire
,
Wood
00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet
Will Jennings
3D printing
,
Baroque
,
BRH+
,
Gian Lorenzo Bernini
,
Théophile Blandet
,
Barbara Brondi
,
Centre d’art Contemporain Genève
,
Chair
,
Craft
,
Design
,
Digital
,
Floor
,
France
,
Furniture
,
Geneva
,
HR Giger
,
Industrial
,
Will Jennings
,
Audrey Large
,
lighting
,
Melting
,
Morphosis
,
Ovid
,
Plastic
,
Product design
,
Marco Rainò
,
Rococo
,
Sculpture
,
Suminagashi
,
Switzerland
,
Wood
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