︎
In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
00180
Twisted & phallic sculptures have disrupted Capability Brown’s smoothness at Compton Verney
Larry Achiampong
,
Robert Adam
,
Capability Brown
,
Louise Bourgeois
,
Helen Chadwick
,
Compton Verney
,
Nicholas Deshayes
,
Permindar Kau
r,
Landscape
,
Masculine
,
Sarah Lucas
,
Sculpture
,
Augustas Serapinas
,
Erika Verzutti
00146
Capability Brown meets AI: the perverted nature of Daniel Ambrosi
Steve Taylor
AI
,
Daniel Ambrosi
,
Artificial Intelligence
,
Beeple
,
John Berger
,
Blenheim Palace
,
Capability Brown
,
Chatsworth House
,
Compton Verney
,
DeepDream
,
Digital
,
Google
,
Landscape
,
Claude Lorrain
,
Sunil Manghani
,
Arthur I Miller
,
Nature
,
Photography
,
Picturesque
,
Robilant + Voena
,
Steffie Shields
,
Steve Taylor
,
Stowe Gardens
,
Technology
,
Uncanny valley
00069
Artists crossing borders: Lawrence Abu Hamdan & Reena Saini Kallat
Will Jennings
Lawrence Abu Hamdan
,
Jarred Alterman
.
Birds
,
Border
,
Boundary
,
Cable
,
Canada
,
Collage
,
Compton Verney
,
Division
,
Drone
,
Film
,
Mahdi Fleife
l,
Guns
,
Haskell Free Library
,
India
,
Israel
,
River
,
Reena Saini Kallat
,
Mexico
,
Military
,
Opera House
,
Palestine
,
Pakistan
,
Spike Island
,
USA
,
Wire
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