︎

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings

Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings













00180
Twisted & phallic sculptures have disrupted Capability Brown’s smoothness at Compton Verney

Larry Achiampong, Robert Adam, Capability Brown, Louise Bourgeois, Helen Chadwick, Compton Verney, Nicholas Deshayes, Permindar Kaur, Landscape, Masculine, Sarah Lucas, Sculpture, Augustas Serapinas, Erika Verzutti



00146
Capability Brown meets AI: the perverted nature of Daniel Ambrosi

Steve Taylor

AI, Daniel Ambrosi, Artificial Intelligence, Beeple, John Berger, Blenheim Palace, Capability Brown, Chatsworth House, Compton Verney, DeepDream, Digital, Google, Landscape, Claude Lorrain, Sunil Manghani, Arthur I Miller, Nature, Photography, Picturesque, Robilant + Voena, Steffie Shields, Steve Taylor, Stowe Gardens, Technology, Uncanny valley



00069
Artists crossing borders: Lawrence Abu Hamdan & Reena Saini Kallat

Will Jennings

Lawrence Abu Hamdan, Jarred Alterman. Birds, Border, Boundary, Cable, Canada, Collage, Compton Verney, Division, Drone, Film, Mahdi Fleifel, Guns, Haskell Free Library, India, Israel, River, Reena Saini Kallat, Mexico, Military, Opera House, Palestine, Pakistan, Spike Island, USA, Wire



   

 TRAVEL   ABOUT   NEWSLETTER   INDEX   ︎