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A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner













00180
Twisted & phallic sculptures have disrupted Capability Brown’s smoothness at Compton Verney

Larry Achiampong, Robert Adam, Capability Brown, Louise Bourgeois, Helen Chadwick, Compton Verney, Nicholas Deshayes, Permindar Kaur, Landscape, Masculine, Sarah Lucas, Sculpture, Augustas Serapinas, Erika Verzutti



00146
Capability Brown meets AI: the perverted nature of Daniel Ambrosi

Steve Taylor

AI, Daniel Ambrosi, Artificial Intelligence, Beeple, John Berger, Blenheim Palace, Capability Brown, Chatsworth House, Compton Verney, DeepDream, Digital, Google, Landscape, Claude Lorrain, Sunil Manghani, Arthur I Miller, Nature, Photography, Picturesque, Robilant + Voena, Steffie Shields, Steve Taylor, Stowe Gardens, Technology, Uncanny valley



00069
Artists crossing borders: Lawrence Abu Hamdan & Reena Saini Kallat

Will Jennings

Lawrence Abu Hamdan, Jarred Alterman. Birds, Border, Boundary, Cable, Canada, Collage, Compton Verney, Division, Drone, Film, Mahdi Fleifel, Guns, Haskell Free Library, India, Israel, River, Reena Saini Kallat, Mexico, Military, Opera House, Palestine, Pakistan, Spike Island, USA, Wire



   

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