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A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings

10 galleries you should know about from Miart 2025 in Milan

The book & exhibitions of Hélène Binet’s photographs of Jewish country house
s

Poetically tending Derek Jarman’s garden: Modern Nature at the Barbican


Will Jennings

The message is the bottle: Claes Oldenburg & Coosje van Bruggen in Middlesbrough


Steve Taylor













00219
Crafting new ways to consider Harewood House at its third biennial of art & design

Robert Adam, Arabeschi Di Latte, Charles Barry, BEIT Collective, Botanique Studios, Britto Arts Trust, Capability Brown, John Carr, Rebecca Chesney, Craft, Colonisation, Design, Ecology, Jakup Ferri, Harewood Biennial, Harewood House, Rosa Harradine, History, Hew Locke, Kusheda Mensah, Modular by Mensah, Trevor Nicholson, Temitayo Ogunbiyi, Darren Pih, Lucia Pizzani, Ligaya Salazar, Francesca Sarti, Jo Woffinden



00218
A department store of eclectic collections: Hetain Patel’s Artangel archive

Artangel, Collection, Collection, Craft, Croydon, Department store, ET, Grants, Hobby, Hetain Patel, Polly Pocket, Pub, Royal Academy, Shop, Site specific, Summer Exhibition, Wetherspoons, Wunderkammer



00151
Humanise, by Thomas Heatherwick: a polemic against brainwashed architects

Karrie Jacobs

Architects, Architecture, Boringness, Richard Brautigan, Cities, Le Corbusier, Craft, Craftsmen, Antoni Gaudí, Robert Gifford, Ernő Goldfinger, Abby Hoffman, Humanise, Freidrich Hundertwasser, Thomas Heatherwick, Heatherwick Studios, Jane Jacobs, Karrie Jacobs, Makers, New York City, Penguin Books, Psychology, Robert Venturi, The Vessel, Watermelons



00142
Material, form & process: Matt Rugg’s post-industrial sculptures

Will Jennings

Alvar Aalto, Apollo Pavilion, Assemblage, Cable, Chelsea School of Art, Cooling towers, Craft, Design, Education, Factories, Fencing, Richard Hamilton, Hatton Gallery, Industrial, Industry, Will Jennings, James Joyce, Metal, Merzbarn, Newcastle, Painting, Peterlee, Eduardo Paolozzi, Victor Pasmore, Plastic, Gerrit Rietveld, Matt Rugg, Kurt Schwitters, Sculpture, Steel, Tools, TS Eliot, Harriet Sutcliffe, University of Newcastle, Wire, Wood



00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet

Will Jennings

3D printing, Baroque, BRH+, Gian Lorenzo Bernini, Théophile Blandet, Barbara Brondi, Centre d’art Contemporain Genève, Chair, Craft, Design, Digital, Floor, France, Furniture, Geneva, HR Giger, Industrial, Will Jennings, Audrey Large, lighting, Melting, Morphosis, Ovid, Plastic, Product design, Marco Rainò, Rococo, Sculpture, Suminagashi, Switzerland, Wood



   

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