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Fragments of histories & futures explored on the Greek island of Samos

Will Jennings

Gaudí, Miró & Gomis at Casa Batlló: three artists in Barcelona
An interview with Sumayya Vally on architecture, community & Ibraaz

Swinging in the gallery: art meets golf at Battersea Arts Centre

An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art


Will Jennings

Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings










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Twisted & phallic sculptures have disrupted Capability Brown’s smoothness at Compton Verney

Larry Achiampong, Robert Adam, Capability Brown, Louise Bourgeois, Helen Chadwick, Compton Verney, Nicholas Deshayes, Permindar Kaur, Landscape, Masculine, Sarah Lucas, Sculpture, Augustas Serapinas, Erika Verzutti



00153
An architectural migration: Augustas Serapinas’ greenhouse

Will Jennings

Art Deco, Borscht, Conservation, Emalin, Frame, Gentrification, Greenhouse, Growing, Handmade, Herbs, Heritage, Will Jennings, Kaunas, Lichtenfels Sculpture, Lithuania, Maintenance, Gordon Matta-Clark, Metal, Migration, Nostalgia, Politics, Recipe, Relocation, Repair, River Kamp, Saltibarščiai, Augustas Serapinas, Soviet, Stew, Structure, Timber, Timber frame, Užupis, Vegetables, Vernacular, Vilnius, Wood



   

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