︎
Cerith Wyn Evans glows in MAAT, Lisbon
Will Jennings
Ursula K Le Guin’s speculative cartography
Sam Moore
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
00309
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
Gabrielė Adomaitytė
,
Okiki Akinfe
,
Alexandru Chira
,
Charlotte Edey
,
Frieze No. 9 Cork Street
,
Ginny on Frederick
,
John Hejduk
,
House
,
Charles Jencks
,
Christina Kimeze
,
Julien Monnerie
,
Jordan Nassar
,
Shigeo Otake
,
Matthew Peers
,
Rochelle Roberts
,
Aldo Rossi
,
Machteld Rullens
,
John Soane
,
Mary Stephenson
00030
John Hejduk’s gothic optimism
Eddie Blake
Royal Academy
,
Architecture
,
Eddie Blake
,
Étienne-Louis Boullée
,
Peter Eisenman
,
Michael Graves
,
Gothic
,
Charles Gwathmey
,
John Hejduk
,
Claude-Nicolas Ledoux
,
London Masque
,
Richard Meier
,
Model
,
Modernism
,
New York Five
,
Vicky Richardson
,
Sculpture
.
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