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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
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Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good











00309
The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

Gabrielė Adomaitytė, Okiki Akinfe, Alexandru Chira, Charlotte Edey, Frieze No. 9 Cork Street, Ginny on Frederick, John Hejduk, House, Charles Jencks, Christina Kimeze, Julien Monnerie, Jordan Nassar, Shigeo Otake, Matthew Peers, Rochelle Roberts, Aldo Rossi, Machteld Rullens, John Soane, Mary Stephenson



00201
Jupiter Artland: a Scottish landscape packed with uncanny, playful & enormous art

Will Jennings

Laura Aldridge, Amethyst, Phyllida Barlow, Bonnington House, Pablo Bronstein, Henry Castle, Cemetery, Ceramics, Nathan Coley, Edinburgh, Edinburgh Art Festival, Folly, Forest, Fountain, Anya Gallaccio, Andy Goldsworthy, Antony Gormley, Gothic, Graveyard, Grotto, Ian Hamilton Finlay, Jacobean, Charles Jencks, Will Jennings, Jupiter, Jupiter Artland, Anish Kapoor, Landscape, Peter Liversidge, Rachel Maclean, Modern Institute, Painting, Cornelia Parker, Rock, Andrew Sims, Stone, Temple, Trees, Marc Quinn, Joana Vasconcelos, Water, Nicky Wilson, Robert Wilson, Woods



   

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