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Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau













00218
A department store of eclectic collections: Hetain Patel’s Artangel archive

Artangel, Collection, Collection, Craft, Croydon, Department store, ET, Grants, Hobby, Hetain Patel, Polly Pocket, Pub, Royal Academy, Shop, Site specific, Summer Exhibition, Wetherspoons, Wunderkammer



00103
Soft architecture at the Summer Exhibition

Peter Barber, Phyllida Barlow, William Chew, Matthew Dalziel, Drawing, Raphaelle Jones, Kristina Kotov, Lucia Medina, Lori Micu, Model, Nick Baker Architects, Anna Russell, Royal Academy, Shedkm, Soft, Gabor Stark, Ben Stringer, Summer Exhibition, Tapestry, Quilt, Weaving, Webb Yates Engineers



00047
The roots beneath the street: An interview with Cristina Iglesias

Cristina Iglesias
Will Jennings

Bloomberg, Brachen, Caruso St John, Norman Foster, Gagosian, Matthew Gandy, Geology, Grotto, Hidden River, Interview, Landscape, Madison Square Park, Natura Urbana, Cristina Iglesias, Inhotim, Labyrinth, Roots, Royal Academy, San Sebastian, Santa Clara Island, Sculpture, Sensorial, Nature, New York, Subterrain, Water



00030
John Hejduk’s gothic optimism

Eddie Blake

Royal Academy, Architecture, Eddie Blake, Étienne-Louis Boullée, Peter Eisenman, Michael Graves, Gothic, Charles Gwathmey, John Hejduk, Claude-Nicolas Ledoux, London Masque, Richard Meier, Model, Modernism, New York Five, Vicky Richardson, Sculpture.



00015
Wooden memories - an interview with Olu Ogunnaike

Olu Ogunnaike
Will Jennings

Architecture, CAPC musée d'art contemporain de Bordeaux, Cell Project Space, David Chipperfield, Fourth Plinth, Goldsmiths Centre for Contemporary Art, Colonialism, London, Material, Memory, Olu Ogunnaike, Royal Academy, Royal Academy Schools, Sculpture, Trees, Waste, Wood



   

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