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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











00309
The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

Gabrielė Adomaitytė, Okiki Akinfe, Alexandru Chira, Charlotte Edey, Frieze No. 9 Cork Street, Ginny on Frederick, John Hejduk, House, Charles Jencks, Christina Kimeze, Julien Monnerie, Jordan Nassar, Shigeo Otake, Matthew Peers, Rochelle Roberts, Aldo Rossi, Machteld Rullens, John Soane, Mary Stephenson



00271
Empty chairs & liminal Spaces: Alexandra Metcalf’s Gaaaaaaap

Rochelle Roberts

6a, Bed, Chair, Clinic, Jennifer Higgie, Hospital, Installation, LSD, Alexandra Metcalf, Nostalgia, Painting, The Perimeter, Rochelle Roberts, Waiting room, Walking stick



00230
Living architecture: Olivia Erlanger’s Fan Fiction

Rochelle Roberts

Air, Anxiety, Appliances, Butterfly, Closed worlds, Domestic, Olivia Erlanger, Fan, Fridge, Lydia Kallipoliti, Soft Opening, Rochelle Roberts



00102
Domestic dreaming: a conversation with Beatrice Gibson

Rochelle Roberts

3D,Alcestis, Covid, Death, Dreaming, Dreaming Alcestis, Domestic, Film, Gender, Beatrice Gibson, Nick Gordon, Greece, Greek mythology, Journey, Liminality, Sue MacDiarmid, Mythology, Alice Notley, Palermo, Politics, Rochelle Roberts, Sicily, Sound



00076
A Haunting Sense of Power: Monelle at Sadie Coles HQ

Rochelle Roberts

Casa del Fascio, CGI, Sadie Coles, Como, Darkness, Film,Ghost, Horror, Diego Marcon, Monelle, Giuseppe Terragni, Palazzo Terragni, Power, Rochelle Roberts, Violence



   

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