︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00226
Exploring Mount Stuart on the Isle of Bute: neo-Gothicism with a lyrical score from Oisín Byrne
Will Jennings
Robert Rowand Anderson
,
Books
,
Bothy
,
Martin Boyce
,
Oisín Byrne
,
Chattel House
,
Sophie Crichton Stuart
,
Gaelic
,
Garden
,
Glasgow
,
Gothic
,
Gothic revival
,
Isle of Bute
,
Will Jennings
,
James Joyce
,
Landscape
,
Language
,
Library
,
Clarice Lispector
,
Thomas Mawson
,
Mount Stuart
,
Music
,
Neo-Gothic
,
Tennis court
,
Text
,
Translation
,
Alberta Whittle
,
Writing
00201
Jupiter Artland: a Scottish landscape packed with uncanny, playful & enormous art
Will Jennings
Laura Aldridge
,
Amethyst
,
Phyllida Barlow
,
Bonnington House
,
Pablo Bronstein
,
Henry Castle
,
Cemetery
,
Ceramics
,
Nathan Coley
,
Edinburgh
,
Edinburgh Art Festival
,
Folly
,
Forest
,
Fountain
,
Anya Gallaccio
,
Andy Goldsworthy
,
Antony Gormley
,
Gothic
,
Graveyard
,
Grotto
,
Ian Hamilton Finlay
,
Jacobean
,
Charles Jencks
,
Will Jennings
,
Jupiter
,
Jupiter Artland
,
Anish Kapoor
,
Landscape
,
Peter Liversidge
,
Rachel Maclean
,
Modern Institute
,
Painting
,
Cornelia Parker
,
Rock
,
Andrew Sims
,
Stone
,
Temple
,
Trees
,
Marc Quinn
,
Joana Vasconcelos
,
Water
,
Nicky Wilson
,
Robert Wilson
,
Woods
00030
John Hejduk’s gothic optimism
Eddie Blake
Royal Academy
,
Architecture
,
Eddie Blake
,
Étienne-Louis Boullée
,
Peter Eisenman
,
Michael Graves
,
Gothic
,
Charles Gwathmey
,
John Hejduk
,
Claude-Nicolas Ledoux
,
London Masque
,
Richard Meier
,
Model
,
Modernism
,
New York Five
,
Vicky Richardson
,
Sculpture
.
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︎
Venice
Biennale 2025: part 3,
the 
