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In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts

An interview with Mike Nelson on architectural sculpture & the making of place

Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out

Will Jennings

Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings

 











00226
Exploring Mount Stuart on the Isle of Bute: neo-Gothicism with a lyrical score from Oisín Byrne

Will Jennings

Robert Rowand Anderson, Books, Bothy, Martin Boyce, Oisín Byrne, Chattel House, Sophie Crichton Stuart, Gaelic, Garden, Glasgow, Gothic, Gothic revival, Isle of Bute, Will Jennings, James Joyce, Landscape, Language, Library, Clarice Lispector, Thomas Mawson, Mount Stuart, Music, Neo-Gothic, Tennis court, Text, Translation, Alberta Whittle, Writing



00201
Jupiter Artland: a Scottish landscape packed with uncanny, playful & enormous art

Will Jennings

Laura Aldridge, Amethyst, Phyllida Barlow, Bonnington House, Pablo Bronstein, Henry Castle, Cemetery, Ceramics, Nathan Coley, Edinburgh, Edinburgh Art Festival, Folly, Forest, Fountain, Anya Gallaccio, Andy Goldsworthy, Antony Gormley, Gothic, Graveyard, Grotto, Ian Hamilton Finlay, Jacobean, Charles Jencks, Will Jennings, Jupiter, Jupiter Artland, Anish Kapoor, Landscape, Peter Liversidge, Rachel Maclean, Modern Institute, Painting, Cornelia Parker, Rock, Andrew Sims, Stone, Temple, Trees, Marc Quinn, Joana Vasconcelos, Water, Nicky Wilson, Robert Wilson, Woods



00030
John Hejduk’s gothic optimism

Eddie Blake

Royal Academy, Architecture, Eddie Blake, Étienne-Louis Boullée, Peter Eisenman, Michael Graves, Gothic, Charles Gwathmey, John Hejduk, Claude-Nicolas Ledoux, London Masque, Richard Meier, Model, Modernism, New York Five, Vicky Richardson, Sculpture.



   

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