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Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created

Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway

Robert Barry













00226
Exploring Mount Stuart on the Isle of Bute: neo-Gothicism with a lyrical score from Oisín Byrne

Will Jennings

Robert Rowand Anderson, Books, Bothy, Martin Boyce, Oisín Byrne, Chattel House, Sophie Crichton Stuart, Gaelic, Garden, Glasgow, Gothic, Gothic revival, Isle of Bute, Will Jennings, James Joyce, Landscape, Language, Library, Clarice Lispector, Thomas Mawson, Mount Stuart, Music, Neo-Gothic, Tennis court, Text, Translation, Alberta Whittle, Writing



00201
Jupiter Artland: a Scottish landscape packed with uncanny, playful & enormous art

Will Jennings

Laura Aldridge, Amethyst, Phyllida Barlow, Bonnington House, Pablo Bronstein, Henry Castle, Cemetery, Ceramics, Nathan Coley, Edinburgh, Edinburgh Art Festival, Folly, Forest, Fountain, Anya Gallaccio, Andy Goldsworthy, Antony Gormley, Gothic, Graveyard, Grotto, Ian Hamilton Finlay, Jacobean, Charles Jencks, Will Jennings, Jupiter, Jupiter Artland, Anish Kapoor, Landscape, Peter Liversidge, Rachel Maclean, Modern Institute, Painting, Cornelia Parker, Rock, Andrew Sims, Stone, Temple, Trees, Marc Quinn, Joana Vasconcelos, Water, Nicky Wilson, Robert Wilson, Woods



00030
John Hejduk’s gothic optimism

Eddie Blake

Royal Academy, Architecture, Eddie Blake, Étienne-Louis Boullée, Peter Eisenman, Michael Graves, Gothic, Charles Gwathmey, John Hejduk, Claude-Nicolas Ledoux, London Masque, Richard Meier, Model, Modernism, New York Five, Vicky Richardson, Sculpture.



   

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