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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











00207
Venice 2024: sensing the darkness with Pierre Huyghe

Tomoé Hill

AI, Atmosphere, Constantin Brâncuși, Catastrophe, Crab, Covid, Darkness, Fukushima, Tomoé Hill, Stanley Kubrick, Chris Marker, Juhani Pallasmaa, Pierre Huyghe, Pinault Collection, Senses, Technology, Venice Biennale



   

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