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A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings

10 galleries you should know about from Miart 2025 in Milan

The book & exhibitions of Hélène Binet’s photographs of Jewish country house
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Poetically tending Derek Jarman’s garden: Modern Nature at the Barbican


Will Jennings

The message is the bottle: Claes Oldenburg & Coosje van Bruggen in Middlesbrough


Steve Taylor













00231
Venice 2024: Switzerland & LAS Art Foundation fuse architecture & technology to create immersive worlds

Accademia di Belle Arti di Venezia, Fatima al Qadiri, Andrea Bellini, Afrofuturism, Centre d’Art Contemporain Genève, Civilisation, Guerreiro do Divino Amor, Digital, Immersive, LAS Art Foundation, Josèfa Ntjam, Ocean, Rome, Science fiction, Space, Subaqua, Technology, Venice Biennale, Worldbuilding, Switzerland



00207
Venice 2024: sensing the darkness with Pierre Huyghe

Tomoé Hill

AI, Atmosphere, Constantin Brâncuși, Catastrophe, Crab, Covid, Darkness, Fukushima, Tomoé Hill, Stanley Kubrick, Chris Marker, Juhani Pallasmaa, Pierre Huyghe, Pinault Collection, Senses, Technology, Venice Biennale



00146
Capability Brown meets AI: the perverted nature of Daniel Ambrosi

Steve Taylor

AI, Daniel Ambrosi, Artificial Intelligence, Beeple, John Berger, Blenheim Palace, Capability Brown, Chatsworth House, Compton Verney, DeepDream, Digital, Google, Landscape, Claude Lorrain, Sunil Manghani, Arthur I Miller, Nature, Photography, Picturesque, Robilant + Voena, Steffie Shields, Steve Taylor, Stowe Gardens, Technology, Uncanny valley



00089
Power & photography: picturing architecture in the 19th century

Josh Allen

Josh Allen, Geoffrey Batchen, Bodleian Library, Calotype, Crystal Palace, Louis Daguerre, Daguerreotype, Henry Fox-Talbot, Great Exhibition, Instagram, Ebenezer Landellis, Henry Mayhew, Joseph Paxton, Photography, Power, Printing, Allan Sekula, Technology, Victorian, Weston Library


00074
ABBA’s endless now in a STUFISH spaceship

Laura Yuile
Jill Kennedy-McNeill

ABBA, Carpenters Estate, Jacques Derrida, Digital, Mark Fisher, Hauntology, Hologram, Jill Kennedy-McNeill, London, Music, Nostalgia, STUFISH, Technology, Theatre, Laura Yuile



   

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