recessed.space

Power & photography: picturing architecture in the 19th century

Julian Opie & a virtual extension of place

Entangled bodies in a queer black domestic: Jonathan Lyndon Chase

Teshome Douglas-Campbell
Nyima Murry

Radical salvage: Mike Nelson at the Hayward Gallery

Paul Dobraszczyk

Imagining architecture: Assassin’s Creed & Anglo Saxon Wincestre

Geometry in place: Sam Jacobs & Wassef Boutros-Ghali

Power & photography: picturing architecture in the 19th century

Josh Allen

Josh Allen, Geoffrey Batchen, Bodleian Library, Calotype, Crystal Palace, Louis Daguerre, Daguerreotype, Henry Fox-Talbot, Great Exhibition, Instagram, Ebenezer Landellis, Henry Mayhew, Joseph Paxton, Photography, Power, Printing, Allan Sekula, Technology, Victorian, Weston Library

ABBA’s endless now in a STUFISH spaceship

Laura Yuile
Jill Kennedy-McNeill

ABBA, Carpenters Estate, Jacques Derrida, Digital, Mark Fisher, Hauntology, Hologram, Jill Kennedy-McNeill, London, Music, Nostalgia, STUFISH, Technology, Theatre, Laura Yuile

Earth’s empty rooms: Cave diving at Nottingham Contemporary

Will Jennings

Anthropocene, Black, Sofia Borges, Brassaï, Caruso St John, Cave, Cave painting, Center for Land Use Interpretation, Dark, Darkness, Degas, Fire, Barry Flanagan, Fourth Plinth, Leo Frobenius, Glucksman, Grotto, Alberto Giacometti, Hayward Gallery, Athanasius Kircher, Paul Klee, Goshka Macuga, René Magritte, Henry Moore, Nottingham, Nottingham Contemporary, Elisabeth Pauli, Plato, Jackson Pollack, RAMM, Ben Rivers, Science fiction, Space, Subterrannia, Subterrannian, Technology, Threshold, Caragh Thuring, Underground, Vesuvius, Volcano, Mark von Schlegell, Jeff Wall, Joseph Wright of Derby

Faded fairgrounds: Dave Clarkson’s sonic seaside trip

Album, Ambient, Amusement Park, Amusements, Ballroom, Dave Clarkson, Collage, Development, Dreamland, TS Eliot, Fairground, Funfair, Gentrification, Hauntology, Margate, Memory, Montage, Music, Nostalgia, Seaside, Soundscape, Sound art, Technology, The Waste Land

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