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From Bauhaus to birdhouse: world famous architects’ avian designs for charity

In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts

Lorenzo Graf
Riccardo Buck

An interview with Mike Nelson on architectural sculpture & the making of place

Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out

Will Jennings

Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson

 











00288
An interview with Ronald Rael about 3d printed mud architecture at Desert X

3d printing, Adobe, California, Carbon, Coachella Valley, Desert X, Will Jennings, LA, Los Angeles, Mud, Palm Springs, Ronald Rael, Robot, Sci-Arc, Sculpture, Simone Swan, Technology, Tree, Carlo Zambon, Zero carbon



00282
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created

Will Jennings

Adrián Balseca, Anthropocene, Matthew Brandt, Edward Burtynsky, Cantor Arts Center, James Casebere, João Castilho, Climate change, Elana Damiani, Environment, Andrew Esiebo, Gauri Gill, Noémie Goudal, Todd Gray, Will Jennings, Robert Kautuk, Land, Sze Tsung Nicolás Leong, Pablo López Luz, Dhruv Malhotra, Jessica May, Laura McPhee, Nature, Marshall N Price, Gideon Mendel, Photography, Progress, Science, Stanford University, Technology, Rajesh Vangad, Letha Wilson



00231
Venice 2024: Switzerland & LAS Art Foundation fuse architecture & technology to create immersive worlds

Accademia di Belle Arti di Venezia, Fatima al Qadiri, Andrea Bellini, Afrofuturism, Centre d’Art Contemporain Genève, Civilisation, Guerreiro do Divino Amor, Digital, Immersive, LAS Art Foundation, Josèfa Ntjam, Ocean, Rome, Science fiction, Space, Subaqua, Technology, Venice Biennale, Worldbuilding, Switzerland



00207
Venice 2024: sensing the darkness with Pierre Huyghe

Tomoé Hill

AI, Atmosphere, Constantin Brâncuși, Catastrophe, Crab, Covid, Darkness, Fukushima, Tomoé Hill, Stanley Kubrick, Chris Marker, Juhani Pallasmaa, Pierre Huyghe, Pinault Collection, Senses, Technology, Venice Biennale



00146
Capability Brown meets AI: the perverted nature of Daniel Ambrosi

Steve Taylor

AI, Daniel Ambrosi, Artificial Intelligence, Beeple, John Berger, Blenheim Palace, Capability Brown, Chatsworth House, Compton Verney, DeepDream, Digital, Google, Landscape, Claude Lorrain, Sunil Manghani, Arthur I Miller, Nature, Photography, Picturesque, Robilant + Voena, Steffie Shields, Steve Taylor, Stowe Gardens, Technology, Uncanny valley



   

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