Adrián Balseca, Anthropocene, Matthew Brandt, Edward Burtynsky, Cantor Arts Center, James Casebere, João Castilho, Climate change, Elana Damiani, Environment, Andrew Esiebo, Gauri Gill, Noémie Goudal, Todd Gray, Will Jennings, Robert Kautuk, Land, Sze Tsung Nicolás Leong, Pablo López Luz, Dhruv Malhotra, Jessica May, Laura McPhee, Nature, Marshall N Price, Gideon Mendel, Photography, Progress, Science, Stanford University, Technology, Rajesh Vangad, Letha Wilson
Accademia di Belle Arti di Venezia, Fatima al Qadiri, Andrea Bellini, Afrofuturism, Centre d’Art Contemporain Genève, Civilisation, Guerreiro do Divino Amor, Digital, Immersive, LAS Art Foundation, Josèfa Ntjam, Ocean, Rome, Science fiction, Space, Subaqua, Technology, Venice Biennale, Worldbuilding, Switzerland
AI, Atmosphere, Constantin Brâncuși, Catastrophe, Crab, Covid, Darkness, Fukushima, Tomoé Hill, Stanley Kubrick, Chris Marker, Juhani Pallasmaa, Pierre Huyghe, Pinault Collection, Senses, Technology, Venice Biennale
AI, Daniel Ambrosi, Artificial Intelligence, Beeple, John Berger, Blenheim Palace, Capability Brown, Chatsworth House, Compton Verney, DeepDream, Digital, Google, Landscape, Claude Lorrain, Sunil Manghani, Arthur I Miller, Nature, Photography, Picturesque, Robilant + Voena, Steffie Shields, Steve Taylor, Stowe Gardens, Technology, Uncanny valley