︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00305
Venice Biennale 2025: part 2, the bad
AI
,
Architectural Lobby
,
Alejandro Aravana
,
Chat GPT
,
ELEMENTAL
,
Greek Council for Refugees
,
Heatherwick Studio
,
Bjarke Ingels
,
Kengo Kuma
,
Kevin Mastro
,
MIT
,
Politecnico di Milano
,
Carlo Ratti
,
Robots
,
Venice
,
Technology
,
Venice Biennale
,
Venice Biennale of Architecture
,
Zicheng Xu
00288
An interview with Ronald Rael about 3d printed mud architecture at Desert X
3d printing
,
Adobe
,
California
,
Carbon
,
Coachella Valley
,
Desert X
,
Will Jennings
,
LA
,
Los Angeles
,
Mud
,
Palm Springs
,
Ronald Rael
,
Robot
,
Sci-Arc
,
Sculpture
,
Simone Swan
,
Technology
,
Tree
,
Carlo Zambon
,
Zero carbon
00282
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Adrián Balseca
,
Anthropocene
,
Matthew Brandt
,
Edward Burtynsky
,
Cantor Arts Center
,
James Casebere
,
João Castilho
,
Climate change
,
Elana Damiani
,
Environment
,
Andrew Esiebo
,
Gauri Gill
,
Noémie Goudal
,
Todd Gray
,
Will Jennings
,
Robert Kautuk
,
Land
,
Sze Tsung Nicolás Leong
,
Pablo López Luz
,
Dhruv Malhotra
,
Jessica May
,
Laura McPhee
,
Nature
,
Marshall N Price
,
Gideon Mendel
,
Photography
,
Progress
,
Science
,
Stanford University
,
Technology
,
Rajesh Vangad
,
Letha Wilson
00231
Venice 2024: Switzerland & LAS Art Foundation fuse architecture & technology to create immersive worlds
Accademia di Belle Arti di Venezia
,
Fatima al Qadiri
,
Andrea Bellini
,
Afrofuturism
,
Centre d’Art Contemporain Genève
,
Civilisation
,
Guerreiro do Divino Amor
,
Digital
,
Immersive
,
LAS Art Foundation
,
Josèfa Ntjam
,
Ocean
,
Rome
,
Science fiction
,
Space
,
Subaqua
,
Technology
,
Venice Biennale
,
Worldbuilding
,
Switzerland
00207
Venice 2024: sensing the darkness with Pierre Huyghe
Tomoé Hill
AI
,
Atmosphere
,
Constantin Brâncuși
,
Catastrophe
,
Crab
,
Covid
,
Darkness
,
Fukushima
,
Tomoé Hill
,
Stanley Kubrick
,
Chris Marker
,
Juhani Pallasmaa
,
Pierre Huyghe
,
Pinault Collection
,
Senses
,
Technology
,
Venice Biennale
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Venice
Biennale 2025: part 3,
the 
