︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00207
Venice 2024: sensing the darkness with Pierre Huyghe
Tomoé Hill
AI
,
Atmosphere
,
Constantin Brâncuși
,
Catastrophe
,
Crab
,
Covid
,
Darkness
,
Fukushima
,
Tomoé Hill
,
Stanley Kubrick
,
Chris Marker
,
Juhani Pallasmaa
,
Pierre Huyghe
,
Pinault Collection
,
Senses
,
Technology
,
Venice Biennale
00194
Venice 2024: an interview with Australia’s Golden Lion winner Archie Moore & architect Kevin O’Brien
Will Jennings
Aborigine
,
Archive
,
Australia
,
Ellie Buttrose
,
BVN Architecture
,
Chalk
,
Coroner
,
Darkness
,
Exhibition design
,
Family
,
Family tree
,
First Nation
,
Indigenous
,
Legal
,
Lighting
,
Archie Moore
,
Kevin O'Brien
,
Sky
,
Stars
,
Venice Biennale
,
Water
,
Window
00170
A night-time
flâneuse
of the nonplace: Tales of Estrangement by Effie Paleologou
Absence
,
Athens
,
Covid
,
Darkness
,
Brian Dillon
,
Lauren Elkin
,
Flâneur
,
Flâneuse
,
Light
,
London
,
Mack Books
,
Night
,
Night-time
,
Effie Paleologou
,
Photography
,
Shadows
,
Iain Sinclair
,
Walking
,
Windows
00077
Mining memory & meaning with Elizabeth Price
Neil Scott
Carpet
,
Darkness
,
Empire
,
FELT TIP
,
Roger Fry
,
Glasgow
,
Glasgow Museum of Modern Art
,
GoMa
,
Hunterian Art Gallery
,
installation
,
KOHL
,
mines
,
Mitchell Library
,
patriarchy
,
Elizabeth Price
,
Neil Scott
,
SLOW DANS
,
sound
,
THE TEACHERS
,
tie
,
tunnels
,
video
,
Albert Walker
,
Virginia Woolf
00076
A Haunting Sense of Power: Monelle at Sadie Coles HQ
Rochelle Roberts
Casa del Fascio
,
CGI
,
Sadie Coles
,
Como
,
Darkness
,
Film
,
Ghost
,
Horror
,
Diego Marcon
,
Monelle
,
Giuseppe Terragni
,
Palazzo Terragni
,
Power
,
Rochelle Roberts
,
Violence
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Venice
Biennale 2025: part 3,
the 
