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In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
00217
Venice 2024: a visual essay of Biennale & city
Carlo Zambon
Art Not Genocide Alliance
,
Balenciaga
,
Buccellati
,
Gabriel Bella
,
Huma Bhabha
,
Bottega Veneta
,
Canale della Giudecca
,
Julien Creuzet
,
Brunello Cucinelli
,
Aleksandar Denić
,
Willem de Kooning
,
Guerreiro do Divino Amor
,
Fondazione In Between Art Film
,
Fondazione Querini Stampalia
,
Jeffrey Gibson
,
Glass
,
Pierre Huyghe
,
Robert Indiana
,
Isora x Lozuraityte Studio
,
Roman Khimei
,
LAS Art Foundation
,
Anna Maria Maiolino
,
Yarema Malashchuk
,
Diego Marcon
,
Marni
,
Archie Moore
,
Josèfa Ntjam
,
Pakui Hardware
,
Palestine
,
Photo essay
,
Photography
,
Pinchuk Art Centre
,
Punta della Dogana
,
Ione Saldanha
,
Mark Salvatus
,
Carlo Scarpa
,
Raf Simmons
,
Ukraine
,
UNA/UNLESS
,
Venice
,
Venice Biennale
,
Window
,
Carlo Zambon
00207
Venice 2024: sensing the darkness with Pierre Huyghe
Tomoé Hill
AI
,
Atmosphere
,
Constantin Brâncuși
,
Catastrophe
,
Crab
,
Covid
,
Darkness
,
Fukushima
,
Tomoé Hill
,
Stanley Kubrick
,
Chris Marker
,
Juhani Pallasmaa
,
Pierre Huyghe
,
Pinault Collection
,
Senses
,
Technology
,
Venice Biennale
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