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Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
From Bauhaus to birdhouse: world famous architects’ avian designs for charity
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Venice 2024: sensing the darkness with Pierre Huyghe
Tomoé Hill
AI
,
Atmosphere
,
Constantin Brâncuși
,
Catastrophe
,
Crab
,
Covid
,
Darkness
,
Fukushima
,
Tomoé Hill
,
Stanley Kubrick
,
Chris Marker
,
Juhani Pallasmaa
,
Pierre Huyghe
,
Pinault Collection
,
Senses
,
Technology
,
Venice Biennale
00127
Disobeying order: Ranjani Shettar in the Barbican Conservatory
Cindy Huang
The Barbican Centre
,
The Barbican Conservatory
,
Foliage
,
Greenhouse
,
Cindy Huang
,
Jungle
,
Leaves
,
Monstera
,
Muslin
,
Post-colonial
,
Science
,
Sculpture
,
Senses
,
Trees
,
Ranjani Shettar
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INDEX
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Venice
Biennale 2025: part 2,
the b
Venice
Biennale 2025: part 1,
the good
