︎
Cerith Wyn Evans glows in MAAT, Lisbon
Will Jennings
Ursula K Le Guin’s speculative cartography
Sam Moore
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
00271
Empty chairs & liminal Spaces: Alexandra Metcalf’s Gaaaaaaap
Rochelle Roberts
6a
,
Bed
,
Chair
,
Clinic
,
Jennifer Higgie
,
Hospital
,
Installation
,
LSD
,
Alexandra Metcalf
,
Nostalgia
,
Painting
,
The Perimeter
,
Rochelle Roberts
,
Waiting room
,
Walking stick
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