︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00271
Empty chairs & liminal Spaces: Alexandra Metcalf’s Gaaaaaaap
Rochelle Roberts
6a
,
Bed
,
Chair
,
Clinic
,
Jennifer Higgie
,
Hospital
,
Installation
,
LSD
,
Alexandra Metcalf
,
Nostalgia
,
Painting
,
The Perimeter
,
Rochelle Roberts
,
Waiting room
,
Walking stick
00153
An architectural migration: Augustas Serapinas’ greenhouse
Will Jennings
Art Deco
,
Borscht
,
Conservation
,
Emalin
,
Frame
,
Gentrification
,
Greenhouse
,
Growing
,
Handmade
,
Herbs
,
Heritage
,
Will Jennings
,
Kaunas
,
Lichtenfels Sculpture
,
Lithuania
,
Maintenance
,
Gordon Matta-Clark
,
Metal
,
Migration
,
Nostalgia
,
Politics
,
Recipe
,
Relocation
,
Repair
,
River Kamp
,
Saltibarščiai
,
Augustas Serapinas
,
Soviet
,
Stew
,
Structure
,
Timber
,
Timber frame
,
Užupis
,
Vegetables
,
Vernacular
,
Vilnius
,
Wood
00074
ABBA’s endless now in a STUFISH spaceship
Laura Yuile
Jill Kennedy-McNeill
ABBA
,
Carpenters Estate
,
Jacques Derrida
,
Digital
,
Mark Fisher
,
Hauntology
,
Hologram
,
Jill Kennedy-McNeill
,
London
,
Music
,
Nostalgia
,
STUFISH
,
Technology
,
Theatre,
Laura Yuile
00060
Faded fairgrounds: Dave Clarkson’s sonic seaside trip
Album
,
Ambient
,
Amusement Park
,
Amusements
,
Ballroom
,
Dave Clarkson
,
Collage
,
Development
,
Dreamland
,
TS Eliot
,
Fairground
,
Funfair
,
Gentrification
,
Hauntology
,
Margate
,
Memory
,
Montage
,
Music
,
Nostalgia
,
Seaside
,
Soundscape
,
Sound art
,
Technology
,
The Waste Land
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Venice
Biennale 2025: part 3,
the 
