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Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale

Rob Fiehn












00271
Empty chairs & liminal Spaces: Alexandra Metcalf’s Gaaaaaaap

Rochelle Roberts

6a, Bed, Chair, Clinic, Jennifer Higgie, Hospital, Installation, LSD, Alexandra Metcalf, Nostalgia, Painting, The Perimeter, Rochelle Roberts, Waiting room, Walking stick



00153
An architectural migration: Augustas Serapinas’ greenhouse

Will Jennings

Art Deco, Borscht, Conservation, Emalin, Frame, Gentrification, Greenhouse, Growing, Handmade, Herbs, Heritage, Will Jennings, Kaunas, Lichtenfels Sculpture, Lithuania, Maintenance, Gordon Matta-Clark, Metal, Migration, Nostalgia, Politics, Recipe, Relocation, Repair, River Kamp, Saltibarščiai, Augustas Serapinas, Soviet, Stew, Structure, Timber, Timber frame, Užupis, Vegetables, Vernacular, Vilnius, Wood



00074
ABBA’s endless now in a STUFISH spaceship

Laura Yuile
Jill Kennedy-McNeill

ABBA, Carpenters Estate, Jacques Derrida, Digital, Mark Fisher, Hauntology, Hologram, Jill Kennedy-McNeill, London, Music, Nostalgia, STUFISH, Technology, Theatre, Laura Yuile



00060
Faded fairgrounds: Dave Clarkson’s sonic seaside trip

Album, Ambient, Amusement Park, Amusements, Ballroom, Dave Clarkson, Collage, Development, Dreamland, TS Eliot, Fairground, Funfair, Gentrification, Hauntology, Margate, Memory, Montage, Music, Nostalgia, Seaside, Soundscape, Sound art, Technology, The Waste Land



   

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